4 or 10 may come 3 different ways. 3 or 11 may come 2 different ways. 2 or 12 can come 1 way only. When the caster makes his first throw, he has 8 chances out of 36 to get 7 or 11, which will win for him; and 4 chances out of 36 to throw 2, 3 or 12, which will lose for him. It does not follow from this that the odds are 2 to 1 in favour of the caster, because there are only 12 throws out of the 36 possible that will bring any “action” on the bets; so that the odds are 2 to 1 that the first throw will not settle the bets either way. After the first throw, the caster’s chances vary according to his point. If his point was six, he would have 5 chances out of 36 to throw it again, while the players would have 6 chances out of 36 to get a seven. If the player’s point is four or ten, the odds will be 6 to 3 against him; because there are only three ways to get his point, while there are six ways to get a seven. If the caster wins he shoots again, but when he loses he passes the dice to the next player in turn. The old game of Hazard was a very complicated affair compared to modern craps, an intimate knowledge of odds and probabilities being requisite for success.
If Dummy remains with one or two small cards of a suit that has been led, and you have the best, play it on the second round. Dummy’s play is evidently for the ruff, and if the declarer has not the second best, your partner has. If you have King, and only one or two small cards, Dummy leading Queen from Q 10 x x, play your King. You cannot save yourself; but you may make the 9 good in partner’s hand. If you have three or more small cards, do not play the King, for either partner or the declarer must be short in the suit. So if Dummy leads Jack from J 10 and others, play the King with a short suit. If partner has Queen you establish it; if not, you cannot make a trick in the suit. With short suits it is usually best to cover an honour with an honour; but with several small cards, such as K x x x, Dummy leading a singleton Queen, you should pass. With K 10 x, Dummy having J and others, play honour on honour; small card on small card, whichever Dummy leads. It is often important for the second hand to cover with what is called an _=imperfect fourchette=_.
44). Barley-break is several times alluded to in Massinger s plays: see the _Dramatic Works of Philip Massinger_, 1779, i. 167. We ll run at barley-break first, and you shall be in hell (Dekker s _The Honest Whore_). Hee s at barli-break, and the last couple are now in hell (Dekker s _The Virgin Martir_). See Gifford s _Massinger_, i. 104, edit. 1813. See also Browne s _Britannia s Pastorals_, published in 1614, Book I., Song 3, p.
Should he divide it, he must pay the other winner six counters, and leave up seven for a Jack. 24. Should two or more players revoke in the same hand, each must pay the entire losses in the hand, as if he were alone in error; so that if two should revoke, and a third win the pool, he would receive twenty-six counters, instead of thirteen. In Auction Hearts the revoking player must pay the amount of the bid in addition. 25. The claimant of a revoke may search all the tricks at the end of a hand. The revoke is established if the accused player mixes the cards before the claimants have time to examine them. 26. A revoke must be claimed before the tricks have been mixed, preparatory to shuffling for the next deal. 27.
Cobbin-match A school game in which two boys are held by the legs and arms and bumped against a tree, he who holds out the longest being the victor.--Ross and Stead s _Holderness Glossary_. Cobble A name for See-saw. --Jamieson. Cobbler s Hornpipe This was danced by a boy stooping till he was nearly in a sitting posture on the ground, drawing one leg under him until its toe rested on the ground, and steadying himself by thrusting forward the other leg so that the heel rested on the ground; the arms and head being thrown forwards as far as possible in order to maintain a balance. The thrust-out leg was drawn back and the drawn-in leg was shot out at the same time. This movement was repeated, each bringing down to the ground of the toe and heel causing a noise like that of hammering on a lapstone. The arms were moved backwards and forwards at the same time to imitate the cobbler s sewing.--London (J. P.