Underhill tried to keep his own mind clear. Watch out! he shouted telepathically at the others, trying to move the Lady May around. At one corner of the battle, he felt the lustful rage of Captain Wow as the big Persian tomcat detonated lights while he approached the streak of dust which threatened the ship and the people within. The lights scored near-misses. The dust flattened itself, changing from the shape of a sting-ray into the shape of a spear. Not three milliseconds had elapsed. * * * * * Father Moontree was talking human words and was saying in a voice that moved like cold molasses out of a heavy jar, C-A-P-T-A-I-N. Underhill knew that the sentence was going to be Captain, move fast! The battle would be fought and finished before Father Moontree got through talking. Now, fractions of a millisecond later, the Lady May was directly in line. Here was where the skill and speed of the Partners came in.
| -- | -- | -- | | 6.| -- | -- | -- | | 7.| -- | -- | -- | | 8.|My father s a king and| -- | -- | | |my mother s a queen. | | | | 9.|My two little sisters | -- | -- | | |are dressed in green. | | | |10.|Stamping grass and | -- | -- | | |parsley. | | | |11.|Marigold leaves and | -- | -- | | |daisies.
SHUFFLING. 8. Before every deal, the cards must be shuffled. When two packs are used, the dealer’s partner must collect and shuffle the cards for the ensuing deal and place them at his right hand. In all cases the dealer may shuffle last. In _=Boston=_ and in _=Cayenne=_, two packs must be used; and in Boston there must be no shuffling of either pack after the first deal. 9. A pack must not be shuffled during the play of a hand, nor so as to expose the face of any card. CUTTING TO THE DEALER. 10.
6, White will play 19 16, forcing you to jump, and will then play 27 23, forcing you to jump again. In No. 7, White will play 30 26, making your man a King. He will then play 32 28, and wait for your newly made King to jump. This will give him three of your men, and he will catch the other before it gets to the king row. Another common form of trap is to get a player into such a position in the end game, when he has only one or two men, that he cannot get to the king row without being caught; sometimes because he is driven to the side of the board by the man following him, and sometimes because the man meeting him can head him off. The adversary can do this only when he has “the move.” _=Theory of the Move.=_ When the position is such that you will be able to force your adversary into a situation from which he cannot escape without sacrificing a piece or losing the game, you are said to have the move; and if he does not change it by capturing one of your men he must lose the game. As the move is often of the greatest importance in the end game, every checker-player should understand its theory, so that he may know when it is necessary to make an exchange of men in order to secure the move, and when he should avoid an exchange which would lose it.