A contact mine can be placed on a road or in any place by two men in six moves; it will be exploded by the first pieces passing over it, and will destroy everything within six inches radius.* Next as to Constructions: Entrenchments can be made by infantry in four moves.* They are to be strips of wood two inches high tacked to the country, or wooden bricks two inches high. Two men may make an inch of entrenchment. Epaulements for guns may be constructed at the rate of six men to one epaulement in four moves.* [* Notice to be given to umpire of commencement of any work or the placing of a mine. In event of no umpire being available, a folded note must be put on the mantelpiece when entrenchment is commenced, and opponent asked to open it when the trench is completed or the mine exploded.] Rules as to Cavalry Charging: No body of less than eight cavalry may charge, and they must charge in proper formation. If cavalry charges infantry in extended order-- If the charge starts at a distance of more than two feet, the cavalry loses one man for every five infantry-men charged, and the infantry loses one man for each sabre charging. At less than two feet and more than one foot, the cavalry loses one man for every ten charged, and the infantry two men for each sabre charging.
But if he goes better, he adds to the amount staked by the player on his right any further sum he sees fit, within the limit of two blues. Each player in turn has the same privilege, the age having the last say. Suppose five play, and that A has the age. B has straddled, and all but the dealer have made good the ante and drawn cards. There are sixteen white counters in the pool, B’s straddle having made the ante four instead of two. Suppose B bets a red counter, and C then throws down his hand. D _=sees=_ B, by putting up a red counter; and he then _=raises=_ him, by putting up two blues, increasing his bet as much as the limit will allow him. The age must now abandon his hand or put up one red and two blues to call D, without knowing what B proposes to do. Let us suppose he sees D, and raises another two blues. B must now retire, or put up four blues to call A, without knowing what D will do.
| -- | -- | -- | | 23.| -- |All sorts of colours | -- | | | |lying by his side. | | |[8.]|We ll all go roving. | -- | -- | | 24.| -- | -- |You shall have a young| | | | |man. | | 25.| -- | -- | -- | | 26.|I ll take [ ] for my|Take [ ] for my | -- | | |bride. |bride.
A flush does not count in the crib unless the starter is the same suit, and then it counts five points. Flushes are never made in play. _=Laying Out for the Crib.=_ With this knowledge of the objects of game, and the various counting combinations, it will be seen that each player should keep the cards which count the most for him, or which are most likely to form good combinations with different starters. Suppose the non-dealer holds these cards:-- [Illustration: 🃖 🂧 🂨 🂸 🂩 🃚 ] If he puts the two Eights in his adversary’s crib, he not only gives him two very good cards, which go to form a great many valuable combinations, but he leaves himself absolutely nothing but 2 points for a single fifteen, formed by the 9 and 6. It would be a little better, but still very bad play, for him to discard the 8 and 6, leaving himself a sequence of four cards and a fifteen, 6 points altogether. He might do a little better by discarding the 10 and 8, leaving himself a run of four, and two fifteens, 8 points altogether. If he discards either the 10 and 9, or the 10 and 6, he will leave himself a double run of three, a pair, and two fifteens, 12 altogether. Of these two discards, that of the 10 and 6 is better than the 10 and 9, because the 10 and 9 might help to form a sequence in the adversary’s crib, whereas the 10 and 6 are so far apart that they are very unlikely to be of any use. Cards which are likely to form parts of sequences are called _=close cards=_, and those which are too widely separated to do so are called _=wide cards=_.
The fairy would sometimes come down, and, playing his antics, compel whomsoever observed him to follow him in a mimicking procession. Miss Hope writes of Holy Gabriel that the game is played at Mead Vale, a small village in Surrey, but is unknown at larger villages and towns a few miles off. Some of the women who played it in their youth say that it began in the Primitive Methodist school at Mead Vale. It is played at Outword, also a remote village, and was introduced there by a stonemason, who stated that he had learned it from a cousin who had been in America. Further inquiry by Miss Hope elicited the fact that the cousin had learned the game, when a boy, in his native place in Lancashire. He did not know whether it was a well-known game there. This information points perhaps to a modern origin, but in such cases it must be borne in mind that people are very fond of suggesting recent circumstances as the cause of the most ancient traditions or customs. The obvious analogy to the incident in the myth of the Pied Piper, and to the Welsh custom at St. Almedha Church, near Brecknock, recorded by Giraldus Cambrensis, where the imitation of a frenzied leader is carried out as a religious ceremony, rather suggests that in this game we may have a survival of a ceremonial so common among early or uncultured people, the chief incident of which is the frenzied dancing of a god-possessed devotee. [3] A variant of the second line is, Ranting, roaring, heely man.
61. Should the dummy call attention to any other incident in the play in consequence of which any penalty might have been exacted, the declarer may not exact such penalty. Should the dummy avail himself of rights (_h_) or (_i_), after intentionally looking at a card in the hand of a player, the declarer may not exact any penalty for the offence in question. 62. If the dummy, by touching a card or otherwise, suggest the play of one of his cards, either adversary may require the declarer to play or not to play such card. 62_a_. If the dummy call to the attention of the declarer that he is about to lead from the wrong hand, either adversary may require that the lead be made from that hand. 63. Dummy is not subject to the revoke penalty; if he revoke and the error be not discovered until the trick be turned and quitted, whether by the rightful winners or not, the trick must stand. 64.
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_=TIES.=_ If the first cut does not decide, those tying must cut again, but the new cut decides nothing but the tie. _=DEALING.=_ Any player has the right to shuffle the pack, the dealer last. The cards are then presented to the pone to be cut, who must leave at least four in each packet. The cards are dealt from left to right, one at a time to each player in rotation until the pack is exhausted. No trump is turned. In Two-handed Hearts, the dealer stops when each player has received thirteen cards. The deal passes to the left. _=Misdealing.
He may then lay out any combination of three cards that he holds, but he is not obliged to do so. Whether he lays out anything or not, he must discard a card, face up, to take the place of the one drawn. This discard is always placed beside the stock, and of course covers up any card already there. _=LAYING OUT.=_ After drawing from the stock and before discarding, a player may lay out any three cards, but no more than three at one time. Or he may add one card from his hand to any combination already laid out by another player, but he cannot add more than one card in this way. He may add a card to a combination laid out by himself if he wishes to. _=CALLING OUT.=_ Each player in turn to the left draws, lays out and discards in this manner until some player gets rid of his last card, when he calls out, and the game comes to an end. The last card in a player’s hand may be got rid of by laying it out in combination, or by discarding it if it is the only card left.
The dealer gives thirteen cards to his adversary and to himself, one at a time, and turns up the next for the trump. The trump card belongs to neither player. The winner of the odd trick scores a point. Five points is game. MORT. WHIST À TROIS; OR FRENCH DUMMY. _=MORT=_ means simply the dead hand; and is the equivalent of the English word Dummy; the partner being known as _=Vivant=_, or the living hand. In these words the English usually sound the _=t=_, as they do in such words as _=piquet=_, and _=valet=_. _=CARDS.=_ Mort is played with a full pack of fifty-two cards, ranking as at whist for cutting and playing.
Birds, Beasts, and Fishes. Bittle-battle. Bitty-base. Black Man s Tig. Black Thorn. Blind Bell. Blind Bucky Davy. Blind Harie. Blind Hob. Blind Man s Buff.
_=Doublets.=_ Any hand containing a double combination will beat any single combination. For instance: A player holds three of a kind, and the fourth card in his hand is of a different suit from any of his triplet. His hand is a double combination, prime and tricon, and will beat a flush. A sequence of four cards of the same suit is a double combination, and will beat anything but a fredon. When doublets are shown, the holder is paid for both combinations, _=six=_ for tricon and prime, or _=eight=_ for sequence and flush, as the case may be. _=A Fredon=_, or four of a kind, is the best possible hand, and the holder is paid _=ten or eleven counters=_ by each of the other players, according to the pip value of his cards. He is paid eight counters for fredon, and two for the prime, if it is smaller than 8’s; but he claims grand prime if he has four 9’s, or four 10’S, and gets eleven counters. In case of _=ties=_ which cannot be decided by the pip values, the elder hand wins. Even if a player has lost his entire stake in the pool, he must pay the various combinations shown, and it is usual to reserve about ten counters for this purpose.
The purchaser inquires-- Have you any honey pots for sale? Yes, plenty; will you walk round and taste them? The purchaser goes round, pretending to taste each one in turn, inquiring the price and weight; finds fault with several, one being too sweet and the other not fresh enough, and so on. When one honey pot is discovered to the purchaser s taste, she is lifted by the purchaser and owner, or by two children who act as weights or scales, and then swung by her arms backwards and forwards to estimate her weight and price (fig. 2). As long as the child can keep her hands clasped, so long is the swinging kept up; and as many times as they count, so many is the number of pounds she weighs. The seller sometimes said, when each one was bought-- Take her and bake her, And into pies make her, And bring her back When she is done. They were not brought back, and the owner had to catch and bring back each one. When sold, the honey pot is taken to the other side, or home of the purchaser. The game goes on till all the honey pots are sold.--London (A. B.
=_ Before opening the hand, the player should carefully consider what suits are safe and what are dangerous. It is usually best to preserve the safe suits and to lead the dangerous ones, which you should clear your hand of, if possible. It is a great advantage to have a missing suit, and equally disadvantageous to have a number of a suit of which your adversary is probably clear. If a card of a missing suit is drawn, it is usually best to lead it at once, so as to keep the suit clear; but in so doing, be careful first to place the card among the others in the hand, or your adversary will detect that it is a missing suit. The lead is a disadvantage if you have safe hearts; but toward the end of the stock, from which cards are drawn, it is an advantage to have commanding cards, with which you can assume the lead if necessary. There is some finesse in determining whether or not to change the suit often in the leads. If you have a better memory than your adversary, it may be well to change often; but if not, it may assist you to keep at one suit until afraid to lead it again. In Two-Handed Hearts, keeping count of the cards is the most important matter, because the real play comes after the stock is exhausted, and the moment that occurs you should know every card in your adversary’s hand. The exact number of each suit should be a certainty, if not the exact rank of the cards. Until you can depend on yourself for this, you are not a good player.
Three-card Monte. A game in which three cards are dexterously thrown on the table by a gambler, and the victim is induced to bet that he can pick out one which has been previously named and shown. Three-echo, an echo on a trump lead when holding three only. Three-on-a-side, a system of playing Faro, in which cards are bet to win or lose an odd number of times. Tournée, F., see Round. Trailing, playing a card which accomplishes nothing. Trash, to discard. Tric, F., the odd trick at Whist or Mort.
Libbety-lat. Limpy Coley. Little Dog, I call you. Lobber. Loggats. London. London Bridge. Long-duck. Long Tag. Long Tawl.
| -- |Green gravel. | | 2.| -- | -- | -- | | 3.| -- | -- | -- | | 4.| -- | -- | -- | | 5.| -- |Yellow gravel. | -- | | 6.|The grass is so green.|The grass is so green.|The grass is so green.
4. +---+---+---+---+---+---+---+---+ | | 1 | | 2 | | 3 | | 4 | +---+---+---+---+---+---+---+---+ | 5 | | 6 | | 7 | | 8 | | +---+---+---+---+---+---+---+---+ | | 9 | |10 | |11 | |12 | +---+---+---+---+---+---+---+---+ |13 | |14 | |15 | |16 | | +---+---+---+---+---+---+---+---+ | |17 | |18 | |19 | |20 | +---+---+---+---+---+---+---+---+ |21 | |22 | |23 | |24 | | +---+---+---+---+---+---+---+---+ | |25 | |26 | |27 | |28 | +---+---+---+---+---+---+---+---+ |29 | |30 | |31 | |32 | | +---+---+---+---+---+---+---+---+ ] [Illustration: No. 5. +---+---+---+---+---+---+---+---+ | | ⛂ | | ⛂ | | ⛂ | | ⛂ | +---+---+---+---+---+---+---+---+ | ⛂ | | ⛂ | | ⛂ | | ⛂ | | +---+---+---+---+---+---+---+---+ | | ⛂ | | ⛂ | | ⛂ | | ⛂ | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | ⛀ | | ⛀ | | ⛀ | | ⛀ | | +---+---+---+---+---+---+---+---+ | | ⛀ | | ⛀ | | ⛀ | | ⛀ | +---+---+---+---+---+---+---+---+ | ⛀ | | ⛀ | | ⛀ | | ⛀ | | +---+---+---+---+---+---+---+---+ ] In checker notation the number of the move is never given, as it is in Chess. The moves of the black men are distinguished from those of the white men by being hyphenated, but there are no marks to show when pieces are captured. Letters or figures in the margins are used to refer to possible variations in the play. _=Openings.=_ There are a number of standard openings in Checkers which are formed by the preliminary moves on each side. These openings are known by various fanciful names, dear to all checker-players. In the following list they are arranged in alphabetical order for convenience in reference.
| -- | -- | -- | |20.| -- | -- | -- | |21.| -- | -- | -- | |22.| -- | -- | -- | |23.|He s sent letter to |I send you letter to |He sent this letter to| | |turn head. |turn round your head. |turn my head. | |24.| -- | -- | -- | |25.| -- | -- | -- | |26.
_=Four of a Kind=_; such as four 10’s and an odd card. _=Full Hand=_; three of a kind and a pair, such as three 8’s and a pair of Q’s, which beats a _=Flush=_; five cards of the same suit, but not in sequence. _=Straight=_; five cards in sequence, but of various suits. In straights, the Ace cannot be used to form such combinations as Q K A 2 3; but it may be used as the bottom of 5 4 3 2, or the top of 10 J Q K. Straights beat _=Three of a Kind=_; such as three K’s and two odd cards. _=Two Pairs=_; such as two 9’s and two 7’s, with an odd card. _=A Pair=_; such as two Aces and three odd cards. If no pair is shown, the _=Highest Card=_ wins. A short hand, such as four cards, cannot be claimed as either a straight or a flush. _=36.
Some players think the bar point better than the five point, but it must be remembered that points in the home table are usually better than any outside. If you get the five and bar points made up, try for the four point, and after that you may take some risks to get your men home, and do not take up your opponent’s men if you are ahead of him, because they may give you trouble when they re-enter in your home table. _=The American Game.=_ When a gammon or backgammon counts you nothing more if you win it, and costs you nothing more if you lose it, the tactics of the game are entirely changed. It is folly to take any risks for the sake of a gammon, and any plays which leave unnecessary blots are very bad; for which reason the three throws shown in the foregoing diagram would be absurd in the American game. On the other hand, you may risk being gammoned, or even backgammoned, if it is the only way to save the game. An Englishman cannot take this risk, for he might lose a triple game in attempting to save a single. Secure the five point in your own and your adversary’s home table as soon as possible, and then the bar and four points. After the first few throws the player should take a general survey of the board, in order to see whether he is ahead or behind, or if he has any advantage of position. He must then decide whether he will play a _=backward=_ or a _=forward=_ game.
A variation is sometimes made by the dealer announcing a trump suit after he has examined his hand, instead of turning up the last card. His adversary then has the right either to play his hand, or to exchange it for the one on his right; but the dealer must play the hand dealt to him. THIRTEEN AND THE ODD. This is Humbug Whist without the discard. The dealer gives thirteen cards to his adversary and to himself, one at a time, and turns up the next for the trump. The trump card belongs to neither player. The winner of the odd trick scores a point. Five points is game. MORT. WHIST À TROIS; OR FRENCH DUMMY.
| -- | -- | -- | |21.| -- | -- | -- | |22.| -- | -- | -- | |23.| -- | -- | -- | |24.| -- | -- | -- | |25.| -- | -- | -- | |26.| -- |We ll set a man to |Set a man to watch all| | | |watch all night. |night. | |27.|Suppose the man should|If the man should fall| -- | | |fall asleep.
If this conclusion is correct, the particular form of the game preserved by Mr. Addy may be the parent form of all games in which the act of winding is indicated. There is more reason for this when we consider how easy the notion of clock-winding would creep in after the old veneration for the sacred alder tree had ceased to exist. [Illustration] See Bulliheisle, Wind up the Bush Faggot, Wind up the Watch. Ezzeka Old Ezzeka did one day stand Upon a barrel top; The bung flew out, and all at once It went off with a pop. --Dronfield (S. O. Addy). This game is usually played in a house or schoolroom, by boys and girls. A boy or girl is chosen who is considered to be able to stand a joke.