| CENTRE. | CROSS. |DEFIANCE.| DENNY. | | | | | | | | | | 11-15 | 11-15 | 11-16 | 11-15 | 11-15 | 11-15 | 10-14 | | 23 19 | 24 20 | 24 20 | 23 19 | 23 18 | 23 19 | | | 8-11 | 8-11 | 16-19 | 8-11 | | 9-14 | | | 22 17 | | | 22 17 | | 27 23 | | | 3- 8 | | | 15-18 | | | | +=========+=========+=========+=========+=========+=========+=========+ | | DOUBLE | | | | | | | DYKE. | CORNER. | DUNDEE. |EDINBURG.| FIFE. |GLASGOW.
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It is usual to draw for the first game, one player concealing in each hand a man of different colour, and offering the choice of hands to his adversary. Whichever colour the chosen hand contains the chooser must take for the first game. _=The Moves.=_ The men never leave the colour of the squares on which they are originally set up, so that they always move diagonally. At the beginning of the game the men move only one square at a time, and always forward, and can be placed only on squares which are unoccupied. If an adverse piece stands upon a square to which a man might be moved, and there is a vacant square beyond, the man must jump over the adverse piece to the unoccupied square, at the same time removing from the board the piece so jumped over. In the position shown in Diagram No. 1, for instance, it being White’s turn to move, he must jump over the black man, removing it from the board. Black will then have a choice of two jumps, over one man or over two, and will of course select the jump toward the right of the board first, and then over the second man, removing both from the board. A man may jump over and capture several men at one move, provided there are vacant squares between them, and beyond the last man.
V. Here we all stand round the ring, And now we shut poor Mary in; Rise up, rise up, poor Mary Brown, And see your poor mother go through the town. [Then follow verses the same as in the Barnes version, No. 1, and then--] Rise up, rise up, poor Mary Brown, To see the poor beggars go through the town. I will not stand up upon my feet To see the poor beggars go through the street. [Two other verses are sometimes added, introducing gentleman and ladies. All versions, however, conclude with the girl saying--] Rise up, rise up, poor Mary Brown, And see your poor sweetheart go through the town. I will get up upon my feet, To see my sweetheart go through the street. --Halliwell s _Nursery Rhymes_, p. 218.
If a liberal player sits on your right you will often be able to make large winnings on moderate hands. In a close game, when the players bet in a niggardly manner, the liberal player is at a great disadvantage; for he can win little or nothing on his good hands, but will lose large amounts when he runs up the betting on a good hand which is opposed to one that is better. When a liberal player finds a close player following him freely, he may be sure there is a very strong hand against him. _=VARIETY.=_ Above all things a player should avoid regularity in his play, because observant adversaries will soon learn his methods. The best players usually play two pairs pat, without drawing, about half the time. This gives them the reputation of betting on pat hands which are not genuine, and when they get one that is real, they will often succeed in getting a good bet, or even a raise, from those holding triplets or two large pairs, who have noticed them play two pairs pat. In the same way it is advisable to hold up an odd card occasionally, without raising the ante; so that when you do hold triplets, and draw two cards, you will not frighten every one at the table. The chances of improving a pair by drawing three cards, are one in three; and by drawing two cards only, one in four. The difference is worth the moral effect of the variation in the play.
He is provided with a large bowlful of beans, counters, buttons, small coins, or some objects of which a large number of similar size and shape can be easily obtained. An oblong card is placed in the centre of the table, and the players stake their money upon its corners or upon its edges. These corners are supposed to be numbered in rotation from 1 to 4, the figure 1 being on the right of the banker. A bet placed on any of the corners takes in the number it is placed upon and the next higher also; so that a bet upon the corner 1 would be upon the numbers 1 and 2; upon 2 it would be upon 2 and 3; and upon 4 it would be upon 4 and 1. [Illustration: +---------------+X |3 2| | | |4 1| +---------------+ ] In the illustration the bet would be upon 2 and 3. If the bet is placed upon the edge of the card, it takes in the next higher number only. [Illustration: +---------------+ |3 2| | |X |4 1| +---------------+ ] In the illustration the bet is upon the number 2, and no other. After all the bets have been placed, the banker takes a large handful of the beans or counters from the bowl, and places them on the table, counting them off rapidly into fours. The number of odd counters remaining decides which number wins; if none remain, 4 wins. If there were 2 or 3 counters over, the banker would pay all bets on the corners 1 and 2, even money.
Holland (_Cheshire Glossary_) also mentions it as an old Cheshire game. See Boggle about the Stacks, Scots and English. Barnes (Mr.) Mr. Barnes is dead and gone, And left his widder, Three poor children in her arms; What will you give her? Where did you come from? --Played about 1850 at Hurstmonceux, Sussex (Miss Chase). This is probably a forfeit game, imperfectly remembered. See Old Soldier. Base-ball An undescribed Suffolk game.--Moor s _Suffolk Words_. See Rounders.
18. If a player leads or plays two cards to a trick, he must indicate the one intended, and leave the other face up on the table. Any card exposed, except in the proper course of play, or any card named by the player holding it, must be left face up on the table. 19. A player must lead or play any exposed card when called upon to do so by any other player, provided he can do so without revoking. He cannot be prevented from playing an exposed card, and if he can so get rid of it, no penalty remains. 20. If a player leads out of turn, a suit may be called from him when it is next his proper turn to lead. This penalty can be enforced only by the player on his right. If he has none of the suit called, or if all have played to the false lead, no penalty can be enforced.
The mother replies with the next line. The suitor chooses a girl and says the next verse, and then all the children sing the last verse. This is the same action as in Halliwell s version. (_d_) The analysis of the game-rhymes is on pp. 164-67. This analysis presents us with a very good example of the changes caused by the game-rhymes being handed down by tradition among people who have forgotten the original meaning of the game. The first line in the Scotch version contains the word dis, which is not known to the ordinary vocabulary. Another word, of similar import, is dik-ma-day in the Lanarkshire version. Two other words occur, namely, thegan in the Lanarkshire, and maycanameecan in the Sussex versions, which are also not to be found in ordinary vocabularies. The two last words appear only once, and cannot, therefore, be used for the purpose of tracing out an original form of the game-rhyme, because on the system of analysis adopted they may be arbitrary introductions and totally unconnected with the original rhymes.
The fifteen is duplicated, but there is no pair. [Illustration: 🂩 🃉 🃙 🂦 ] If there are two duplicates of either card, the combination will always be worth 12 points; 6 for the three fifteens, and 6 more for the pair royal. [Illustration: 🂹 🃙 🃆 🂶 ] If the duplicates are of two different cards, the combination is still worth 12, because four different fifteens can be formed by combining each Nine with each Six separately, and there are two single pairs. [Illustration: 🃙 🃆 🂶 🃖 🂦 🂹 🂩 🃉 🃖 🂦 ] The same is true of any combinations of two-card fifteens in which all five cards are of value; they are both of the same pegging value, 20 points. If there are three duplicates of one card in the original fifteen, the four separate fifteens will be worth 8, and the double pair royal 12. If there are two duplicates of one card, and one of the other, six separate fifteens can be formed by combining each Nine with each Six, pegging 12; and the pair royal of one card with the single pair of the other will add 8 more. _=Three-card Fifteens=_ may be formed in fifteen different ways, ranging from 10 4 A, to 5 5 5. If you hold any of these combinations, and have a fourth card which is a duplicate of any of the three forming the fifteen, the value of the combination will depend on how many cards you can replace with the duplicate card. [Illustration: 🂾 🃞 🃔 🂡 ] If you have an extra tenth card, you can replace the other tenth card once only, and the total value of the combination is therefore 6 points, which is expressed by the formula; “Fifteen-two, fifteen-four, and a pair.” [Illustration: 🃙 🂳 🃓 🂣 ] If your combination was 9 3 3, and you had another 9, the same thing would be true; but if your duplicate is a Three, there are two cards which can be replaced, and the combination is therefore worth 12; 6 for the three fifteens, and 6 more for the pair royal.
The following _=LAWS=_ for Fifteen-Ball Pool are copied, by permission, from the 1908 edition of the rules published by the Brunswick-Balke-Collender Co. _=1.=_ The game of Fifteen-Ball Pool is played with fifteen balls numbered from one to fifteen, respectively, and one white ball not numbered. The latter is the cue-ball, and at the opening of the game, the player plays with it from within the string at the head of the table, at any of the numbered balls, and afterward as he finds it on the table, his object being to pocket as many of the numbered balls as he can, the number on each ball he pockets being scored to his credit; so that not he who pockets the largest number of balls, but he whose score, when added up, yields the largest total, wins the game. Before commencing the game these fifteen balls are placed in the form of a triangle upon the table--a triangular frame being employed for this purpose to insure correctness. The ball numbered fifteen is so placed upon the table as to form the apex of the triangle, pointing upward toward the head of the table, and in forming the triangle the fifteen-ball should rest as nearly as possible upon the spot known as the deep-red spot in the Three-Ball Game. The other balls should have their places in the triangle so that the highest numbers shall be nearest the apex, the lowest numbers forming the base. _=2.=_ The player who makes the opening stroke must play from within the string from the head of the table and must strike the pyramid of object-balls with such force as to make at least two of the object-balls strike a cushion, or at least one object-ball go into a pocket. Should he fail to do either he forfeits three points and the next player plays.
Cock-fight. Cock-haw. Cock-stride. Cockertie-hooie. Cockle-bread. Cockly-jock. Cock s-headling. Cock-steddling. Codlings. Cogger.
=_ _=PLAYING ALONE.=_ No one but the individual maker of the trump can play alone. _=34.=_ The dealer must announce his intention to play alone by passing his discard over to his partner. Any other player intending to play alone must use the expression “alone” in connection with his ordering up or making the trump; as, “I order it, alone;” or “I make it hearts, alone.” _=35.=_ The partner of a player who has announced to play alone must lay his cards on the table, face down. Should he expose any of his cards, the adversaries may prevent the lone hand, and compel him to play with his partner, the exposed card being left on the table and liable to be called. _=36.=_ The lone player is not liable to any penalty for exposed cards, nor for a lead out of turn.
Drawing cards from the outspread pack may be resorted to in place of cutting. SHUFFLING. 8. Before every deal, the cards must be shuffled. When two packs are used, the dealer’s partner must collect and shuffle the cards for the ensuing deal and place them at his right hand. In all cases the dealer may shuffle last. In _=Boston=_ and in _=Cayenne=_, two packs must be used; and in Boston there must be no shuffling of either pack after the first deal. 9. A pack must not be shuffled during the play of a hand, nor so as to expose the face of any card. CUTTING TO THE DEALER.