_=Objects of the Game.=_The object of each player is to form triplets, fours, and sequences, by combining the cards dealt him with others drawn from the stock. These combinations are laid upon the table, face up, and the player wins the game who first succeeds in laying down eleven cards in this manner. _=Sequences=_ must be all of the same suit, and cannot be shorter than three cards. The Ace is not in sequence with the King, but the 7 is next below the Jack. A sequence once started can be added to from time to time as the cards are drawn from the stock. _=Triplets=_ are any three cards of the same denomination, and they may be increased to _=Fours=_ at any time, by adding the other card. _=Borrowing.=_ A player with four of a kind on the table may borrow any one of the four to use in a sequence; but he cannot borrow one of three, because no combination may consist of less than three cards. In the same manner a player may borrow the card at either end of a sequence of at least four cards, if he can use it to make a triplet.
Hundreds A game at marbles, which is carried on until one of the players scores 100 or some other high number agreed upon. Any number can play, but it is best described for two players, A. and B. First the players taw up to a hole; if both get in, they repeat the process until one is left out, say B.; then A. counts 10. Should both fail, the nearest goes first. He may now lay his taw about the hole or fire at the other, on hitting which he counts another 10. He now goes for the hole again, and failing, lies where he happens to stop. If he misses, B.
| -- | -- | -- | |48.|We ll give him a horse| -- | -- | | |to gallop around. | | | |49.| -- |Here comes my lord | -- | | | |Duke, let everyone | | | | |pass by but the very | | | | |last one. | | +---+----------------------+----------------------+----------------------+ (_d_) This game is universally acknowledged to be a very ancient one, but its origin is a subject of some diversity of opinion. The special feature of the rhymes is that considerable difficulty occurs in the building of the bridge by _ordinary_ means, but without exactly suggesting that extraordinary means are to be adopted, a prisoner is suddenly taken. The question is, What does this indicate? Looking to the fact of the widespread superstition of the foundation sacrifice, it would seem that we may have here a tradition of this rite. So recently as 1872, there was a scare in Calcutta when the Hooghly Bridge was being constructed. The natives then got hold of the idea that Mother Ganges, indignant at being bridged, had at last consented to submit to the insult on condition that each pier of the structure was founded on a layer of children s heads (Gomme s _Early Village Life_, p. 29).
52. Should the single player revoke, and not discover the error before the trick is turned and quitted, he loses his game. If he discovers the error and corrects it in time, there is no penalty; but any adversary who plays after him may amend his play. 53. If either adversary of the player revokes, the player may claim his game as won; but he may insist on playing the hand out to see if he can make schneider or schwarz. Even if the single player has overbid his hand, he wins his game if either adversary revokes. LOOKING BACK. 54. Any active player may see the last trick turned and quitted, provided no card has been led for the next trick. Should a player look back at any other trick, or count his cards, he loses the game; but either of the others may insist on playing on to see if they can make schneider.