181) describes a similar game to this, in which the player whose name is called drops the ball; he must pick it up as quickly as possible while the rest scatter. He then calls Stand! upon which the players halt, and he flings it at whom he pleases. If he misses his aim, he must place himself in a bent position with his hands against a wall until every player has taken a shot at him. The idea of naming children after the days of the week occurs also in the games of Gipsy, Witch, and Mother, Mother, the Pot boils over. See Ball, Burly Whush, Keppy Ball. Moolie Pudding The game of Deadelie; one has to run with the hands locked and taen the others.--Mactaggart s _Gallovidian Encyclopædia_. See Chickidy Hand, Deadelie, Hunt the Staigie, Whiddy. More Sacks to the Mill A very rough game, mentioned in Dean Miles MS., p.
The child facing him asks the first question, and the one with the stick answers. At strokes his face he suits the action to the words, and then thumps with his stick on the ground at the beginning of the last line. The object of all the players is to make Buff smile while going through this absurdity, and if he does he must pay a forfeit. Another version is for one child to be blindfolded, and stand in the middle of a ring of children, holding a long wand in his hand. The ring dance round to a tune and sing a chorus [which is not given by the writer]. They then stop. Buff extends his wand, and the person to whom it happens to be pointed must step out of the circle to hold the end in his hand. Buff then interrogates the holder of the wand by grunting three times, and is answered in like manner. Buff then guesses who is the holder of the wand. If he guesses rightly, the holder of the stick becomes Buff, and he joins the ring (_Winter Evening s Amusements_, p.
70_a_. Should an adversary of the declarer expose his last card before his partner play to the twelfth trick, the two cards in his partner’s hand become exposed, must be laid face upward on the table, and are subject to call. 71. If, without waiting for his partner to play, either of the declarer’s adversaries play or lead a winning card, as against the declarer and dummy and continue (without waiting for his partner to play) to lead several such cards, the declarer may demand that the partner of the player in fault win, if he can, the first or any other of these tricks. The other cards thus improperly played are exposed. 72. If either or both of the declarer’s adversaries throw his or their cards face upward on the table, such cards are exposed and liable to be called; but if either adversary retain his hand, he cannot be forced to abandon it. Cards exposed by the declarer are not liable to be called. If the declarer say, “I have the rest,” or any words indicating the remaining tricks or any number thereof are his, he may be required to place his cards face upward on the table. He is not then allowed to call any cards his adversaries may have exposed, nor to take any finesse not previously proved a winner unless he announce it when making his claim.
Instead of announcing the pip value of this second card, the dealer calls out the total value of the two cards taken together. The pone then lays another card on the table face upward and on the top of the first, which is not turned face down, and at the same time announces the total pip value of the three cards so far played; the dealer plays again, and so on. If at any time the total pip value of the cards played is exactly 15 or 31, the one who plays the card that brings it to that number pegs two points for it at once. If any counting combination, such as a pair, pair royal, or sequence, is formed by the cards played, its value is pegged by the person that plays the card which completes the combination; but neither player is allowed to play a card which will make the total pip value of the cards played pass 31. The method of forming and pegging these various combinations in play will be better understood if they are described separately. A card once played cannot be taken up again, unless it passes 31. _=Pairs.=_ If the first card played by the pone should be a 6, and the dealer had a 6 also, the latter would probably play it, announcing: “Twelve, with a pair,” and pegging two holes. If the pone held a third six he would immediately play it, announcing: “Eighteen, with a pair royal,” and would peg six holes for the three pairs which can be formed with the three Sixes, although he did not hold all of them. If the dealer was fortunate enough to hold the fourth Six he might rejoin with: “Twenty-four, with a double-pair-royal.
_=22. Drawing Cards.=_ When two or more players have come in for an equal amount, the others having abandoned their hands, each of them in turn, beginning with the one on the dealer’s left, may discard any or all of the cards originally dealt him, and draw others in their place. The number discarded and drawn, if any, must be distinctly announced by each player, including the dealer; and the fresh cards must be given face down from the top of the pack, without any further shuffling or cutting. Each player must receive the entire number he asks for before the next player is helped. No player shall receive from the dealer more or fewer than he discards; so that if he is playing with a short hand, such as four cards only, he will still have four cards after the draw; and if his hand was originally foul, it will so remain. _=23. Exposed Cards.=_ In dealing for the draw, should any card be found faced in the pack, or should any card be exposed by the dealer in giving out the cards, or be blown over by the wind before the player has touched it, such cards must be placed on the table with the discards. The player whose card has been exposed does not receive another in its place until all the other players, including the dealer, have been helped.
_=Under-calling.=_ If a player holds an inferior sequence, quatorze or trio, which he knows is better than any his adversary can possibly hold, he may call it, and afterward score the better combination, provided he is correct in estimating the inferior one that he called as _=good against the cards=_. But if the adversary can demonstrate that the inferior announcement was not actually good against the cards, and that it was possible for him to hold a better, the score for the higher combination is lost. For instance: A player holds four Kings and three Aces, and on glancing over his hand and discards, sees that his adversary cannot hold any quatorze, so he declares the three Kings, instead of the four Aces. Suppose he mistook a Nine for a Ten, and overlooked the fact that his adversary might have had four Tens, the score for the four Kings would be lost, but the three Aces would be good if his adversary had discarded a Ten, and did not actually hold four. In the ordinary game, the higher combination is lost if it is not called. In play, every card led, whatever its value, counts one, and winning the trick counts one also. The last trick counts two, and the capot forty. Pic and repic are reckoned as in the ordinary game. _=Scoring.
Hide and Seek (1) A writer in _Blackwood s Magazine_, August 1821, p. 36, mentions this as a summer game. It was called Ho, spy! the words which are called out by those boys who have hidden. He says the watchword of Hide and seek was hidee, and gives as the rhyme used when playing-- Keep in, keep in, wherever you be, The greedy gled s seeking ye. This rhyme is also given by Chambers (_Popular Rhymes_, p. 122). Halliwell gives the rhyme as-- Hitty titty indoors, Hitty titty out, You touch Hitty titty, And Hitty titty will bite you. --_Nursery Rhymes_, p. 213. At Ashford-in-the-Water the words used were-- One a bin, two a bin, three a bin, four, Five a bin, six a bin, seven, gie o er; A bunch of pins, come prick my shins, A loaf brown bread, come knock me down.
_=The Pone=_, who is the partner of the eldest hand, orders up at the bridge on exactly opposite principles. The fact that the eldest hand did not order up shows that the dealer cannot make a lone hand. This should indicate to the pone that his partner has a certain trick in trumps, and if the pone holds any good trumps himself, he can often guess what his partner’s trumps are. For instance: The ace is turned, and the pone holds the left bower guarded. The eldest hand must have the right bower, or four trumps to the King. If the eldest hand has passed at the bridge, and the pone has strong trumps himself, especially the ace or left bower and two small trumps, he should order up the trump; not to save the game, but to be sure of winning it by preventing the dealer from turning it down. If the pone does not order up at the bridge, the eldest hand may infer that he is weak in trumps. When it is not a bridge, the pone should be guided by the same principles as those given for the eldest hand, because he may be sure that his partner will make it next if it is turned down, unless he has a certainty of three tricks by crossing. If a player calls his partner’s attention to the fact that they are at the bridge, both lose their right to order up. _=ASSISTING.
| | | |36.| -- |Set a dog to bark all | -- | | | |night. | | |37.| -- |If the dog should meet| -- | | | |a bone. | | |38.| -- | -- | -- | |39.| -- |Set a cock to crow | -- | | | |all night. | | |40.| -- |If the cock should | -- | | | |meet a hen. | | |41.
| | | |14.|Please, little girl, |To see a fine lady pop|Lady, come under the | | |pop under. |under a bush. |corner bush. | |15.| -- | -- | -- | |16.| -- | -- | -- | |17.| -- | -- | -- | |18.| -- | -- | -- | +---+----------------------+----------------------+----------------------+ +---+----------------------+----------------------+----------------------+ |No.| Belfast.
With such a suit as K J 10 x, after trumps have been exhausted, the Ten is not a safe lead; Jack or fourth-best is better. Holding up the small cards of adverse suits is a common stratagem; and it is legitimate to use any system of false-carding in trumps if it will prevent the adversaries who have led them from counting them accurately. _=Playing to the Score.=_ The play must often be varied on account of the state of the score, either to save or win the game in the hand. If the adversaries appear to be very strong, and likely to go out on the deal, all conventionalities should be disregarded until the game is saved; finesses should be refused, and winning cards played Second Hand on the first round. If the adversaries are exhausting the trumps, it will often be judicious for a player to make what winning cards he has, regardless of all rules for leading, especially if they are sufficient to save the game. It often happens that the same cards must be played in different ways according to the state of the score, and the number of tricks in front of the player. A simple example will best explain this. Hearts are trumps; you hold two small ones, two better being out against you, but whether in one hand or not you cannot tell. You have also two winning Spades, one smaller being still out.
The marble there is called a buck. Pegsy was the name of the No. 5 stage of the Wakefield version, and this varies too, inasmuch as it was the same gob which is picked up and then laid down before catching the buck. Mr. Kinahan says, Jackstones, played with three or four small stones that are thrown up in the air and caught again, seems to have been a very ancient game, as the stones have been found in the _crannogs_ or lake-dwellings in some hole near the fireplaces, similar to where they are found in a cabin at the present day. An old woman, or other player, at the present time puts them in a place near the hob when they stop their game and go to do something else (_Folk-lore Journal_, ii. 266). In the Græco-Roman saloon, British Museum, is a statue originally composed of two boys quarrelling at the game of Tali (see _Townley Gallery_, i. 305; Smith s _Dict. Greek and Roman Antiq.
What will you take to let him out? Ten hundred pounds will let him out. Ten hundred pounds we have not got. Then off to prison he must go. --Kent (Miss Dora Kimball). VII. London Bridge is falling down, Falling down, falling down, London Bridge is falling down, My fair lady. Build it up with mortar and bricks, Mortar and bricks, mortar and bricks, Build it up with mortar and bricks, My fair lady. [Then follow verses in the same style and with the same refrain, beginning with--] Bring some water, we ll wash it away. Build it up with silver and gold. Silver and gold will be stolen away.
If all the pins except the king pin are bowled down, it counts 12. The pins are set up as soon as the nine pins are knocked down, or the king pin is the only one left standing. The alleys are changed alternately. The dead wood is removed after each ball is rolled. In case of uneven teams the Dummy or Blind is filled by any substitute the captain may pick out to bowl. He can select any one of his men he chooses, without regard to rotation, or he himself can bowl, but no man can take the place of the blind twice until every member of the team has acted as the substitute. Poodles count as balls rolled. Any pin or pins knocked down by such balls are set up again in their former positions. A rebounding ball does not count, and any pin or pins knocked down by it are set up, as in the case of a poodle ball. When a ball has left the hand and touched the alley, it goes as a rolled ball.
Silver and gold will be stole away, Dance o er my lady lee, Silver and gold will be stole away, With a gay lady. Build it up with iron and steel, Dance o er my lady lee, Build it up with iron and steel, With a gay lady. Iron and steel will bend and bow, Dance o er my lady lee, Iron and steel will bend and bow, With a gay lady. Build it up with wood and clay, Dance o er my lady lee, Build it up with wood and clay, With a gay lady. Wood and clay will wash away, Dance o er my lady lee, Wood and clay will wash away, With a gay lady. Build it up with stone so strong, Dance o er my lady lee, Huzza! twill last for ages long, With a gay lady. --[London][5] (Halliwell s _Nursery Rhymes_, clii.). III. London Bridge is broaken down, Is broaken down, is broaken down, London Bridge is broaken down, My fair lady.
Two of the other players then take up Jenny Jones, one by the shoulders and the other by the feet, and carry her a little distance off, where they lay her on the ground. All the players follow, generally two by two, with their handkerchiefs at their eyes and heads lowered, pretending to grieve. This is the more general way of playing the game. In those versions where the reply, Very well, ladies, occurs, this is sung by the line of children just before they sing, We ve come to see Jenny Jones. Sometimes, as in the Berrington and Chirbury game, two lines of children facing each other advance and retire, singing the verses. They then carry Jenny Jones to a corner, lay her down, stand in a circle round, and sing to her the last verse. In the Hants versions sent by Miss Mendham, six or eight children carry Jenny stretched out and flat, lay her down, cover her over, and then sing the last lines. The rest of the children follow them. In the Irish (Belfast) version the game is played in the same way; the funeral is arranged, when Jenny suddenly comes to life again (W. H.
Good night a , good night a , Hinkumbooby round about; Fal de ral la, &c. --Chambers (_Popular Rhymes_, pp. 137-139). IV. This is the way we wash our hands, Wash our hands, wash our hands, To come to school in the morning. This is the way we wash our face, Wash our face, wash our face, To come to school in the morning. Here we come dancing looby, Lewby, lewby, li. Hold your right ear in, Hold your right ear out, Shake it a little, a little, And then turn round about. Here we come dancing lewby, Lewby, lewby, li, &c. --Eckington, Derbyshire (S.
If you sit on the left of the player, lead your short suits up to him; but if you sit on his right, lead your longest suit through him. Try to force out his trumps on your plain-suit cards if you can, and avoid giving him discards of his weak suits. With a long trump suit, it is often advantageous to lead it through the player, but seldom right to lead it up to him. In Solos, the adversaries should lead Aces and winning cards, and change suits frequently. If you are playing against a Grand, and have two trumps, one of them the best, lead it, and then play your long suit; but if you have the two smallest trumps, lead the long suit first, and force with it every time you get in. The partners should always scheme to protect each other’s Tens by keeping the Aces of plain suits. For this reason it is very bad play to fatten with the Ace of a suit of which you have not the Ten, or to play an Ace third hand when there are only small cards in the trick, and the Ten of the suit has not been played and you do not hold it. If the player is void of a suit, continue leading it, no matter what you hold in it. This will either weaken his trumps, or, if he is between you, will give your partner discards. If the player leads a Wenzel, it is usually best to cover it if you can; but do not play the club Jack on the diamond Jack unless you want the lead very badly.
B bids two royals as he can stop the hearts twice and ruff the clubs. Z cannot pursue the hearts, but shows his supporting minor suit, bidding three diamonds. This says to Y, “Go no trumps if you can stop the spades.” When A passes, having bid his hand on the first round, Y goes two no trumps and makes game. B leads the top of his partner’s declared suit, and A leads a fourth round, hoping to get in with the club jack. At tricks 8 and 9, B signals control in hearts. A keeps the protection in clubs to the end and saves a trick by it. Y keeps two clubs in dummy, so that if club is led, he will have one to return after he has made his diamonds. In the second example, they are playing nullos, Y declaring. The points in the play are holding the spade queen, so as to lead a diamond or a spade at trick 6.
A good marriage. _=R.=_ Fair to middling. _=CLUBS.=_ Ace. Profits from business or gambling. King. A just man, who has taken a fancy to you. _=R.=_ Something will interfere with his good intentions.
--Deptford, Kent (Miss Chase). II. Here are the robbers coming through, Coming through, coming through, Here are the robbers coming through, My fair lady. What will the robbers do to you, Do to you, do to you, What will the robbers do to you, My fair lady? Steal your watch and break your chain, Break your chain, break your chain, Steal your watch and break your chain, My fair lady. Then they must go to jail, Go to jail, go to jail, Then they must go to jail, My fair lady. --Belfast (W. H. Patterson). III. Hark the robbers Coming through, coming through, My fair lady.
The principle is that if 31 cannot be made by either player, the one playing the card that brought the count nearest to it shall count one for it, even if he has told himself to go. There is no count for “last card” if it makes 31. But the “last card” counts if it makes 15. If a player tells another to go when he can still play himself, he forfeits two points, and his adversary may, if he chooses, take back the cards to the point where the error occurred and have them played over again. The same penalty can be enforced against a player who pegs for a go when he can still play. Suppose the first card played is a Jack. The dealer, holding two Nines, an Eight, and a Five, plays the Five, and pegs 2 for the fifteen. The pone plays a Nine, announcing the total as twenty-four. The dealer cannot pair this Nine, because it would run the count past 31, neither can he play the Eight, so he says, “Go.” The pone pegs the go without playing, which shows that he is also unable to play, having nothing so small as a Seven.
This is very unfair to those on the left of the false opener who have abandoned their hands. _=Second.=_ Those who have come into the pot after the false opening are allowed to stay in, and play for it, no matter what their hands are. _=Third.=_ On discovery of the false opening, each player is allowed to take down whatever amount he may have paid into the pool, including his original ante and all fatteners, and the false opener must then make the entire amount good. The cards are then dealt afresh. This is a very harsh punishment for a very trifling and common error. The second method is the most popular, and probably the fairest, and is now the universal rule. If the false opener does not discover his mistake until he has drawn cards, his action is at least suspicious, and he should be compelled to put up the total amount in the pool, as in case three. In some localities such a player is barred from playing the next two jacks, but compelled to ante his share in each.
(_c_) It seems very clear from both the versions given that this is a ceremonial dance, round or at a place sacred to such ceremonies as betrothal and marriage. The version given by Chambers suggests this the more strongly, as the child in the centre acts as mistress of the ceremonies, or go-between, the person who was the negotiator between the parents on either side in bringing a marriage about. The courtesying and bowing of those in the ring to her may show respect for this office. On the other hand, there is the more important office of priest or priestess of the stones suggested by the action of the game, and the reverence to the centre child may be a relic of this. The fact that she asks a girl to tell her her sweetheart s name, and then announces the name of the girl s choice for approval or disapproval by the ring in both versions, points to the time when consent by relations and friends on both sides was necessary before the marriage could be agreed upon--the inquiry regarding the qualifications of the proposed wife, the recital of her housewifely abilities, and the giving of the ring by the boy to the girl are also betrothal customs. It is to be noted that it was a popular belief in ancient times that to wed with a rush-ring was a legal marriage, without the intervention of a priest or the ceremonies of marriage. Poore, Bishop of Salisbury (circa 1217), prohibited the use of them-- With gaudy girlonds or fresh flowers dight About her necke, or rings of rushes plight. --Spenser s _Queen_. And Shakespeare alludes to the custom in the lines-- As fit as ten groats for the hand of an attorney, as Tib s rush for Tom s forefinger. --_All s Well that Ends Well.
Let us suppose this is the appearance of the table: [Illustration: The Foundation:-- 🂷 The Stock:-- 🃔 The Layout:-- 🃖 🃁 🂢 🂹 The top card of the three:-- 🃅 ] The player can make several changes at once. The five of diamonds will go on the club six, the club four on the five, the ace of diamonds on the deuce of spades, leaving a space which must be filled from the top of the stock, using the card that was under the four of clubs. Another card is exposed and available under the five of diamonds. Cards built on the foundations must be in the same suit, and build upward, nothing but eights being available on the sevens. On the layout, sequences are built down, and must change colour each time. Any time that there is a space in the four columns of the layout, the top card of the stock may be used to fill the space, but the stock itself must never be added to. If there are only two cards in any of the four columns of the layout at any time, and the top one can be used on another pile, it may be taken for that purpose. Suppose the nine of hearts were built on down to a black six, the five of diamonds could be removed to that pile to release the six of clubs. After running through the entire pack, three cards at a time, the cards that have not been used in the process, and which are lying on the table face up, are taken up again and turned face down, without shuffling them, and run through again, three at a time. As long as any card can be used it must alter the run of the cards that will turn up in threes after that, and the player may continue to go through the pack in this way until he is stopped by being unable to use any card that shows at the top of the three he turns up.
All the nuts knocked down are the property of the pitcher. Alluding to the first described form, he says it is probably a more modern game, and quotes Cotgrave _sub voce_ Chastelet as authority for the earlier form in the way he describes it (_Dictionary_). Addy says the nuts were hardened for the purpose. When a nut was broken it was said to be cobbered or cobbled (_Sheffield Glossary_). Evans _Leicestershire Glossary_ also describes it. Darlington (_South Cheshire Words_) says this game only differs from Cobblety-cuts in the use of small nuts instead of chestnuts. George Eliot in _Adam Bede_ has, Gathering the large unripe nuts to play at Cob-nut with (p. 30). Britton s _Beauties of Wiltshire_ gives the Isle of Wight and Hants as other places where the game is known. See Conquerors.
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=_ All those who have made the ante good have the privilege of discarding, face downward, as many cards as they please, in the place of which they may draw others. The age has the first draw, and can take any number of cards from one to five, or he may _=stand pat=_, refusing to draw any. A player cannot receive from the dealer more or less cards than he discards; so that if a person is allowed to play with a short hand, of four cards only, he will still have only four cards after the draw. If his hand was foul, it will remain so after the draw. In drawing, a player may keep or discard what cards he pleases. There is no rule to prevent his throwing away a pair of aces and keeping three clubs if he is so inclined; but the general practice is for the player to retain whatever pairs or triplets he may have, and to draw to them. Four cards of a straight or a flush may be drawn to in the same way, and some make a practice of drawing to one or two high cards, such as an ace and a king, when they have no other chance. Some hands offer opportunities to vary the draw. For instance: A player has dealt to him a small pair; but finds he has also four cards of a straight. He can discard three cards and draw to the pair; or one card, and draw to the straight; or two cards, keeping his ace in the hope of making two good pairs, aces up.
If a player announces one suit and leads another, his adversary may demand that he take back the card played, and lead the suit announced. If he has none of the announced suit, the adversary may call a suit. If the adversary is satisfied with the card led, but improperly announced, he may demand that it remain as played. _=RENOUNCING.=_ When a card is led the adversary must not only follow suit, but must win the trick if he can. If he can neither follow suit nor trump, he may discard any card he pleases. Should a player not follow suit, or should he decline to win the trick, when able to do so, it is a renounce, and if he makes the odd trick he counts nothing; if he makes all five tricks, he counts one point only, instead of two. Should he trump the trick when he can follow suit, he is subject to the same penalty. There is no such thing as a _=revoke=_ in Ecarté. When it is discovered that a player has not followed suit when able, or has lost a trick that he could have won, the cards are taken back, and the hand played over again, with the foregoing penalty for the renounce.
The sport lies in the bustle in consequence of every one s endeavouring to avoid the misfortune of being the unhappy individual who is left without a seat. The principal actor often slily says, The king s _not_ come, when, of course the company ought to keep their seats; but from their anxious expectation of the usual summons, they generally start up, which affords a great deal of merriment.--Brand s _Pop. Antiq._, ii. 409. (_b_) Dr. Jamieson says this is a game well-known in Lothian and in the South of Scotland. Sir Walter Scott, in _Rob Roy_, iii. 153, says, Here auld ordering and counter-ordering--but patience! patience!--We may ae day play at _Change seats, the king s coming_.