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The cards being dealt, each player sorts his hand to see that he has the correct number, thirteen; and the player or players keeping the score should announce it at the beginning of each hand. _=STAKES.=_ In auction, the stake is a unit, so much a point. The number of points won or lost on the rubber may be only two or three, or they may run into the hundreds. The average value of a rubber at auction is about 400 points. Any much larger figure shows bad bidding. In straight bridge the average is about 180. In settling at the end of the rubber, it is usual for each losing player to pay his right-hand adversary. _=MAKING THE TRUMP.=_ In auction, the dealer begins by naming any one of the four suits, or no trumps, for any number of tricks he pleases.

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F. Mottelay, 1906. Good Bridge, by C.S. Street, 1907. Practical Bridge, by J.B. Elwell, 1908. Auction Bridge Up to Date, by W. Dalton, 1909.

Each player draws seven bones, and the highest double sets, each person afterward playing in turn. If double five is the first set it counts 10. The 5-0 played to this would count 10 for the second player, because one end of the line being 10 and the other 0, the total value of the two ends is still 10. Double blank played to this would count 10 more. If 5-6 is now played on one end, and 0-4 on the other, the count will be 10 again, as shown on the diagram. The figures show the order in which the dominoes were played. [Illustration] The highest possible score is 20 points, made with the 4-4 and 6-6, at different ends. If either player makes a multiple of five without noticing or claiming it, his adversary says, “_=muggins=_,” and scores it himself. If a player makes an erroneous score, it must be taken down, and his adversary marks it as penalty. When a player cannot follow suit, he must draw from the bone-yard until he gets a domino that can be played; but the last two in the stock must never be drawn.

Catchers. Chacke-Blyndman. Chance Bone. Change Seats. Checkstone. Cherry Odds. Cherry-pit. Chicamy. Chickidy Hand. Chinnup.

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No player should object to referring a disputed question of fact to a bystander who professes himself uninterested in the result of the game, and able to decide the question. 9. Bystanders should not in any manner call attention to, or give any intimation concerning the play or the state of the game, during the play of a hand. They should not look over the hand of a player without his permission; nor should they walk round the table to look at the different hands. ERRONEOUS SCORES. Any error in the trick score may be corrected before the last card has been dealt in the following deal; or if the error occurs in the last hand of a game or rubber, it may be corrected before the score is agreed to. Errors in other scores may be corrected at any time before the final score of the game or rubber is agreed to. BIDDING. In _=Boston=_, or _=Solo Whist=_, any player making a bid must stand by it, and either play or pay. Should he make a bid in error and correct himself, he must stand by the first bid unless he is over-called, when he may either amend his bid or pass.

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Later the one who named them pretends tasting, and says, Very nice, or You must be baked longer, when another squatting walk and wait takes place. A version sent by Mr. J. P. Emslie is similar to the other London versions-- Buy my fine honey to-day. Which shall I buy? Taste em and try. The child would then go round, pretending to taste, saying, Don t like that one, till one was approved. That one was then swung round to the tune given, the words being-- An apple for the king and a pear for the queen, And a good jump over the bowling green. At the last bar they swung the child higher and higher, and at the last note they swung it as high as they could. I believe the last note in the music should be G, but it was raised to give effect.

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Addy. DEVONSHIRE Halliwell s _Dictionary_. DORSETSHIRE { Barnes _Glossary_, _Folk-lore { Journal_, vol. vii. DURHAM { Brockett s _North Country Words_, ed. { 1846. Gainford Miss Eddleston. South Shields Miss Blair. ESSEX-- Bocking _Folk-lore Record_, vol. iii.