He considers it to bear more analogy to wrestling than to any other sport. He gives illustrations, one of which is here reproduced from the original MS. in the British Museum. The game is also described in the Rev. J. G. Wood s _Modern Playmate_, p. 12. [Illustration] Knocked at the Rapper The girl who spoke of this game, says Miss Peacock, could only remember its details imperfectly, but as far as she recollects it is played as follows:--The players dance round a centre child, leaving one of their number outside the circle. The dancers sing to the one in their midst-- Here comes ----, He knocked at the rapper, and he pulled at the string, Pray, Mrs.
If the player forces the bottle off the table or into a pocket, the bottle must be spotted on its proper spot in the centre of the table, the player loses his shot and forfeits one point, and the next player plays. A player who makes more than 31 points is burst, and must start his string anew; all that he makes in excess of 31 points count on his new string, and the next player plays. BILLIARD TEXT BOOKS. _=American Game=_:-- Modern Billiards, Brunswick-Balke-Collender Co. Billiard Laws, ” ” ” ” Manuel du Biliard, by Vignaux. Garnier’s Practice Shots. _=English Game=_:-- Billiards Simplified, Burroughs and Watts. Billiards, by W. Cook. Billiards, by Joseph Bennet.
Gomme, { Mr. J. P. Emslie, Miss Dendy, Mr. London { J. T. Micklethwaite (_Archæological { Journal_, vol. xlix.), _Strand { Magazine_, vol. ii.
| DENNY. | | | | | | | | | | 11-15 | 11-15 | 11-16 | 11-15 | 11-15 | 11-15 | 10-14 | | 23 19 | 24 20 | 24 20 | 23 19 | 23 18 | 23 19 | | | 8-11 | 8-11 | 16-19 | 8-11 | | 9-14 | | | 22 17 | | | 22 17 | | 27 23 | | | 3- 8 | | | 15-18 | | | | +=========+=========+=========+=========+=========+=========+=========+ | | DOUBLE | | | | | | | DYKE. | CORNER. | DUNDEE. |EDINBURG.| FIFE. |GLASGOW. | KELSO. | | | | | | | | | | 11-15 | 9-14 | 12-16 | 9-13 | 11-15 | 11-15 | 10-15 | | 22 17 | | | | 23 19 | 23 19 | | | 15-19 | | | | 9-14 | 8-11 | | | | | | | 22 17 | 22 17 | | | | | | | 5- 9 | 11-16 | | +=========+=========+=========+=========+=========+=========+=========+ | | | | | SECOND | | | | LAIRD | MAID OF | OLD | | DOUBLE | SINGLE | | |AND LADY.|THE MILL.
This description is almost the same as a seventeenth century version. The dance is begun by a single person (either man or woman), who, taking a cushion in his hand, dances about the room, and at the end of the tune he stops and sings:-- This dance it will no further go. The Musician answers: I pray you, good sir, why say you so? Man: Because Joan Sanderson will not come to. Musician: She must come to, and she shall come to, And she must come whether she will or no. Then he lays down the cushion before a woman, on which she kneels, and he kisses her, singing-- Welcom, Joan Sanderson, welcom, welcom. Then he rises, takes up the cushion, and both dance, singing-- Prinkum-prankum is a fine dance, And shall we go dance it once again, Once again, and once again, And shall we go dance it once again. Then, making a stop, the wo(man) sings as before-- This dance, &c. Musician: I pray you, madam, &c. Woman: Because John Sanderson, &c. Musician: He must, &c.
To limber up guns = half a move. Rivers are impassable to guns. NEITHER INFANTRY, CAVALRY, NOR ARTILLERY CAN FIRE AND MOVE IN ONE MOVE. Royal Engineers. No repairs can be commenced, no destructions can be begun, during a move in which R.E. have changed position. Rivers impassable. Transport and Supply. No supplies or stores can be delivered during a move if T.
SEC. 1. The trump card and the number of the deal must be recorded, before the play begins, on a slip provided for that purpose, and must not be elsewhere recorded. Such slip must be shown to an adversary, then turned face down and placed in the tray, if one is used. SEC. 2. The dealer must leave the trump card face up until it is his turn to play to the first trick; he must take the trump card into his hand and turn down the trump slip before the second trick is turned and quitted. SEC. 3. When a deal is taken up for overplay, the dealer must show the trump slip to an adversary, and thereafter the trump slip and trump card shall be treated as in the case of an original deal.
See Fox and Goose, Gled-wylie. Here comes a Lusty Wooer [Music] --Rimbault s _Nursery Rhymes_. Here comes a lusty wooer, My a dildin, my a daldin; Here comes a lusty wooer, Lily bright and shine a . Pray who do you woo? My a dildin, my a daldin; Pray who do you woo? Lily bright and shine a . For your fairest daughter, My a dildin, my a daldin; For your fairest daughter, Lily bright and shine a . Then there she is for you, My a dildin, my a daldin; Then there she is for you, Lily bright and shine a . --Ritson (_Gammer Gurton s Garland_, 1783). Northall says this game is played after the manner of the Three Dukes (_Folk Rhymes_, p. 383). Halliwell (_Nursery Rhymes_, p.
But I feel sure they must have been _meant_ to go together (see my note in _Shropshire Folk-lore_, p. 510), and I can explain them, I think. The ring of girls are dancing on the green grass plot in the middle of an old-fashioned sixteenth-century walled garden: each gets the news of her lover s death, and turns her face to the wall, the old token of hopeless sorrow. Then they apostrophise the wallflowers in the border surrounding the grass plot against the old high wall; and here another variant explains the lament (second line)-- Wallflowers, wallflowers, growing up so high, _We shall all be maidens_ [and so], we shall all die; Except the youngest (who will meet with another lover), whether as an instance of the proverbial luck of the youngest born, or as a piece of juvenile giddiness and inconstancy, I cannot say; but considering the value set on true love and hopeless constancy in the ballad-lore, and the special garland which distinguished the funerals of bereaved but constant maidens, and the solemnity of betrothal in old days, the latter seems probable, especially considering the for shame. The incidents of _washing_ a corpse in milk and _dressing_ it in silk occur in Burd Ellen, Jamieson s _Ballads_, p. 125. Tak up, tak up my bonny young son, Gar _wash_ him wi the _milk_; Tak up, tak up my fair lady, Gar row her in the _silk_. Green Grow the Leaves (1) [Music] --Earls Heaton (Mr. Hardy). I.
In Diagram No. 14, if White moves 26 22, or 19 15, he loses immediately. In the first case Black will run to 15 and 11, and either get round or double back to 18. In the second case Black will get round by way of 7, or get through. CHECKER LAWS. _=1.=_ The Standard board must be of light and dark squares, not less than fourteen inches nor more than fifteen inches across said squares. _=2.=_ The board shall be so placed that the bottom corner square, on the left hand, shall be black. _=3.
In place of this discard, the dealer takes an equal number of cards from the top of the hand on his left. These are not shown to the adversary. Having discarded and drawn, the dealer declares. There is no doubling; but the dealer himself may undertake to win at least eight of the thirteen tricks, and if he announces “eight tricks,” he can score them at double value if he succeeds. If he fails to get the full eight, his adversary scores ten points penalty, the dealer scoring nothing at all. No matter what the trump suit, the penalty of ten points remains the same. After discarding, drawing and declaring, the stock hand is laid aside, still face down, and the non-dealer takes up and sorts the hand on his left, turning it face up on the table, like a Dummy. This hand belongs to the non-dealer, who leads first and plays both hands, so that the dealer is practically opposed to two hands of thirteen cards each. If the dealer does not want to discard and draw, he can play _=misery=_, which is a no-trumper, but played to lose tricks, instead of to win them. If the dealer takes more than one trick, his adversary scores five points penalty for each so taken.
, playing cards. Carte Blanche, a hand which does not contain K, Q or J. Carte Roi, F., the best card remaining of a suit. Cases, when three cards of one denomination have been withdrawn from the box at Faro, the fourth is a case. Case-keeper, a board for recording the cards as they are withdrawn from the box at Faro. The word is sometimes applied to the person who keeps cases. Cat-hop, two cards of the same denomination left in for the last turn at Faro. Cave, F., the amount a player places in front of him at the beginning of play; table stakes.