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D. Sweeting). IV. Here comes four jolly sailor boys, Just lately come ashore; They spend their days in many merry ways, As they have done before. Round, round the ring we go, Round, round the ring, And he that choose his bonny, bonny lass Must kiss her on the floor. --Raunds (_Northants Notes and Queries_, i. 232). V. Here come three jolly, jolly, jolly boys As lately come from shore; We will spend our time on a moonlight night As we have done before. We will have a round, a round, a round, We will have a round, a round, a round; Let the lad that delights in a bonny, bonny lass, Let him kiss her on the ground.
=_ Calabrasella is played by three persons, two of whom are partners against the third in each hand. If four play, the dealer takes no cards, but shares the fortunes of those who are opposed to the single player, just as in Skat. The players on the right and left of the dealer are known as the pone and the eldest hand respectively. _=Cutting.=_ The players cut for seats and deal, the lowest card having the first choice and dealing the first hand. A player exposing more than one card must cut again. _=Stakes.=_ The game is played for so much a point. The largest winning or loss for the single player is 140, but such an amount is almost impossible, and the average payments are 10 or 20. _=Dealing.
The pone then draws the top card from the stock and turns it face up on the pack. If this card can be used in combination with any of those in his hand, he draws it over to his side of the table, and takes from his hand the cards completing the combination of three cards, leaving them all face up. Even if he has cards enough in his hand to increase the combination to four or more cards, he should not show them. The cards drawn from the stock must never be taken into the hand. Let us suppose the pone holds these cards:--♡ J 7 6 4; ♠ 5 3 2; ♢ K 7 5; and that the ♡ 5 is the first card he draws. He can use this card in three ways: By making a run of three with the ♡ 4 and ♡ 6; or a run with the ♡ 6 and ♡ 7; or a triplet with the two other 5’s. In this case he would probably lay out the 6 and 7, and make the run of three. If he should draw the ♡ Q later on, he could use it by continuing the sequence with his Jack; or if the ♡ 3 appeared, he could use it with his ♡ 4. _=Passing.=_ If he cannot use the card drawn, or does not wish to, he draws it from its position on the top of the stock and places it between himself and the dealer, still face up.
If a player says: “I raise you two blues,” the statement amounts to nothing until the blues have been placed in the pool, and the owner’s hand removed from them. There is no penalty if a player, during the betting, tells his adversaries exactly what he holds; nor is he likely to lose anything by it, for no one will believe him. _=JACK POTS.=_ The addition of jack pots has probably done more to injure Poker than the trump signal has injured Whist. In the early days, when poker parties were small, four players being a common number, it was frequently the case that no one had a pair strong enough to draw to, and such a deal was regarded as simply a waste of time. To remedy this, it was proposed that whenever no player came in, each should be obliged to ante an equal amount for the next deal, and just to demonstrate that there were some good hands left in the pack no one was allowed to draw cards until some one had _=Jacks or better=_ to draw to. The result of this practice was to make jack pots larger than the other pools, because every one was compelled to ante, and this seems to have prompted those who were always wanting to increase the stakes to devise excuses for increasing the number of jack pots. This has been carried so far that the whole system has become a nuisance, and has destroyed one of the finest points in the game of Poker,--the liberty of personal judgment as to every counter put into the pool, except the blind. The following excuses for making jack pots are now in common use: _=After a Misdeal=_ some parties make it a jack; but the practice should be condemned, because it puts it in the power of any individual player to make it a jack when he deals. _=The Buck=_ is some article, such as a penknife, which is placed in the pool at the beginning of the game, and is taken down with the rest of the pool by whichever player wins it.
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Winning Hazards, pocketing the object ball. Winning Out, a card that wins four times in the same deal at Faro. Yarborough, a hand at Whist containing no card higher than a Nine; the odds against it are 1827 to 1. Younger Hand, the one not the leader in two-handed games. Zange, G., a fourchette or tenace. Zwickmuhle, G., a cross ruff. DRIVE WHIST. There are several methods of playing Drive Whist; the most popular being to fill as many tables as possible with the players that present themselves, regardless of any order further than that partners should sit opposite each other.
Traité Théorique et Pratique Baccara, by Laun. _Westminster Papers_, Vols. X. and XI. BLIND HOOKEY. This game is sometimes called Dutch Bank. Any number of persons may play, and a full pack of fifty-two cards is used. The cards rank from the A K Q down to the deuce. Any player may shuffle, the dealer last. The pack is then cut, and the reunited parts are placed in the centre of the table.
His fourth move is also a mistake; he should develop the Knights before the Bishops. KtxP BxKBP ch Kt-Q5 mate 5 ---- 6 -------- 7 ---------- BxQ K-K2 On his fifth move, Black jumps at the chance to win White’s Queen, but this is not of the slightest benefit to him, because the object of the game is not to win the Queen, but to mate the King. At the seventh move the beginner will see that the black King cannot move out of check, neither can he move into check by taking the Bishop. He has no piece that can capture the Knight that gives the check, and nothing can be interposed, so he is mated, and White wins. Here is another simple little game. Take the black pieces this time, but make the white men move first, of course. P-K4 Kt-KB3 KtxP 1 ---- 2 ------ 3 ------ P-K4 Kt-KB3 Kt-QB3 You don’t take the King’s Pawn; it is much more important to develop your pieces rapidly. KtxKt P-Q3 B-Kt5 4 ----- 5 ----- 6 ----- QPxKt B-QB4 KtxP White’s sixth move is bad, and you immediately take advantage of it. If he takes your Knight with his Pawn, you will take his K B P with your Bishop, and say “Check.” If he takes the Bishop you win his Queen.
In Nares it is said to be the same as nine-holes. With us it is certainly different. Cope (_Hampshire Glossary_) says that Nine Men s Morrice is a game played with counters. He does not describe it further. Atkinson (_Glossary of Cleveland Dialect_) says under Merls, the game of Merelles, or Nine Men s Morris. Toone (_Etymological Dictionary_) describes it as a game played on the green sward, holes being cut thereon, into which stones were placed by the players. Stead s _Holderness Glossary_ calls it Merrils, and describes it as a game played on a square board with eighteen pegs, nine on each side, called in many parts Nine Men s Morrice. See also _Sussex Arch. Collections_, xxv. 234, and a paper by Mr.
Lang Larence. Leap Candle. Leap-frog. Leap the Bullock. Leaves are Green. Lend me your Key. Letting the Buck out. Level-coil. Libbety-lat. Limpy Coley.
sc. 2. Miss Baker (_Northamptonshire Glossary_), in describing Merell or Morris, says:-- On the inclosing of open fields this game was transferred to a board, and continues a fireside recreation of the agricultural labourer. It is often called by the name of Mill or Shepherd s Mill. She says the mode of playing now observed is this. Each of the players has nine pieces, or men, differing in colour, or material, from his adversary, for distinction s sake; which they lay down on the spots alternately, one by one, each endeavouring to prevent his opponent from placing three of his pieces in a line, as whichever does so is entitled to take off any one of his antagonist s men where he pleases, without breaking a row of three, which must not be done whilst there is another man on the board. After all the pieces are placed on the board, they are moved alternately backwards and forwards along the lines; and as often as either of the players succeeds in accomplishing a row of three, he claims one of his antagonist s men, which is placed in the pound (the centre), and he who takes the most pieces wins the game. It is played on a board whereon are marked three squares, one being denominated the pound. It is sometimes played with pegs, bits of paper, or wood, or stone. It is called Peg Morris by Clare, the Northamptonshire poet.
461, 464). That the practice forms the groundwork of this game is well illustrated by the following descriptive passage. They stay usually two or three dayes with theire friends, and then aboute the fifth or sixth day after Martynmasse will they come to theire newe masters; they will depart from theire olde services any day in the weeke, but theire desire (hereaboutes) is to goe to theire newe masters eyther on a Tewsday or on a Thursday; for on a Sunday they will seldome remoove, and as for Monday, they account it ominous, for they say-- Monday flitte, Neaver sitte; but as for the other dayes in the weeke they make no greate matter. I heard a servant asked what hee could doe, whoe made this answeare-- I can sowe, I can mowe, And I can stacke; And I can doe, My master too, When my master turnes his backe. --Best s _Rural Economy of Yorks._, 1641; _Surtees Society_, pp. 135-136. In _Long Ago_, ii. 130, Mr. Scarlett Potter mentions that in South Warwickshire it was customary at harvest-homes to give a kind of dramatic performance.
Equalities do not save pic. According to the strict rules of the game, a player who is playing for pic is not allowed to count 30 at all, but must jump from his last count, 29, to 60, or he loses the pic; but this is seldom or never insisted on. _=SCORING.=_ The last card played, the total number of points made by each player are put down on the score sheet, or marked on a cribbage board, and if neither player has reached 100 points, the deal passes to the one who was elder hand on the last deal. The order of scoring should be carefully observed, in order to determine which goes out first, and whether or not a player is lurched. Carte blanche, The Point, Sequence, Quatorze or Trio, Repic, Points for Leading or Winning, Pic, the Odd Trick, Capot. If one player reaches 100 before his adversary has reached 50, it is a _=lurch=_, and counts a double game. _=Abandoned Hands.=_ If a player throws down his cards, he may still take them up again, unless he or his adversary have mixed their cards with the discards, or with the remainder of the talon. _=SUGGESTIONS FOR GOOD PLAY.
What do you know, as he came out for the fifth time, Sniffles pulled my stack of chips to the Don t Pass side of the line, while scraping at the chapped end of her skinny nose with the back of her free hand. Like every compulsive gambler I ve ever seen, the roller next to me was sure he was on a rampage. Four passes and he thought he had the dice licked. Ride with me! he yelled at Sniffles, who plainly had the management of my chips. No moah, she said. You ll lose. Of course he did. I TK d the one-two up. Little Joe from Kokomo, one of the stick-men called. They raked losing bets and paid winners with the speed of prestidigitators.
Where shall the father sleep? Sleep in the servants bed. Where shall the servants sleep? Sleep in the pig-sty. Where shall the pig sleep? Sleep in the washing-tub. What shall I wash in? Wash in a thimble. The shirts won t go in. Wash by the river side. Supposing if I fall in? Good job too! --Hartley Wintney, Winchfield, Hants (H. S. May). XII.
Kinahan (_Folk-lore Journal_, { vol. ii.) CORK-- Cork Mrs. B. B. Green, Miss Keane. DOWN-- Ballynascaw Miss C. N. Patterson. Belfast Mr.
[Or-- Apples are sour, and so is he, So is he, so is he, Apples are sour, and so is he, About the merry-ma-tansie.] He s married wi a gay gold ring, A gay gold ring, a gay gold ring, He s married wi a gay gold ring, About the merry-ma-tansie. A gay gold ring s a cankerous thing, A cankerous thing, a cankerous thing, A gay gold ring s a cankerous thing, About the merry-ma-tansie. Now they re married, I wish them joy, I wish them joy, I wish them joy, Now they re married, I wish them joy, About the merry-ma-tansie. Father and mother they must obey, Must obey, must obey, Father and mother they must obey, About the merry-ma-tansie. Loving each other like sister and brother, Sister and brother, sister and brother, Loving each other like sister and brother, About the merry-ma-tansie. We pray this couple may kiss together, Kiss together, kiss together, We pray this couple may kiss together, About the merry-ma-tansie. --Chambers _Popular Rhymes_, pp. 132-134. (_b_) At Biggar (Mr.
=_ The only point in the game is for a player to know what hands to stand on, and what to draw to. The dealer is guided by the cards dealt to other players, and by what they ask for. The other players should stand on 17, but draw on 16. In practice it has been found that the odds are about 2 to 1 in favour of drawing at 16; 3 to 1 for drawing at 15. The rules for drawing, etc., are more fully described in connection with the very similar game of Baccara. MACAO. In this variety of Vingt-et-un only one card is dealt to each player; court cards and tens count nothing, and the Ace is always worth one. The number to be reached is 9, instead of 21, and if a player has a 9 natural, he receives from the banker three times his stake; if an 8 natural, he receives double, and for a 7 natural, he is paid. If the banker has an equal number of points natural, it is a tie; and if the banker has a 7, 8, or 9 natural he receives from each of the others once, twice, or three times the amount of their stakes.
For instance: Five play, and A has the age. B and C pass, and D antes two counters. The dealer, E, says: “I pass for a jack.” A then puts up three counters, one of which is added to his blind, the other two paying D’s ante in the ensuing jack. D takes down his two counters, and the cards are redealt. This cannot be done if more than one player has anted, nor if the ante has been raised or the blind straddled. In the example just given, had D raised the ante to five counters and E passed, the age would have had to put up four more white counters and draw cards, or allow D to win his blind. _=Progressive Jacks.=_ In some localities it is the custom to make the pair necessary to open a jack pot progress in value; Jacks or better to open the first round; Queens the next; then Kings; then Aces; and then back to Kings, Queens, and Jacks again. This is very confusing, and is not popular.
For instance: The seven players are _=A=_ _=B=_ _=C=_ _=D=_ _=E=_ _=F=_ _=G=_. _=A=_ deals, and _=B=_ bids 2 in hearts. _=C=_ and _=D=_ pass. _=E=_ bids 3 in clubs; and _=F=_ says 4 in hearts. It is evident that _=F=_ is bidding on _=B’s=_ offer in hearts, and intends to choose him for a partner. _=G=_ finds in his hand four good spades and the Joker, but neither Bower. He may safely bid 5 or 6, taking _=E=_ for a partner if successful, as _=E=_ very probably has one or both the black Bowers. If he bids 5 only, the dealer, _=A=_, would have an excellent chance to bid 6 in hearts, and to take _=B=_ and _=F=_ for two of his partners, and _=G=_ for the third, trusting to find him with the Joker, or at least protection in one or both black suits. If the successful bidder has had no previous bids to guide him in his choice of partners, he should take those who have the lowest scores, if the scores are known; because it is to his advantage to avoid advancing those who are perhaps already ahead. When the scores are not known, there is nothing but luck to guide one, unless a person has a very good memory, and knows which players are probably behind.
His side must make at least three tricks, whether he plays alone or not, or it is a euchre, and the adversaries will count two points. In case an adversary of the dealer plays alone, he must distinctly announce it when he orders up the trump. The usual expression is: “_=I order it alone=_.” His partner then lays his cards face downward on the table and takes no further part in the play of that hand. If he exposes any card of the abandoned hand, the adversaries can call upon him to take up the hand and play it, leaving the exposed card on the table as liable to be called. This of course prevents the lone hand. If the dealer’s partner wishes to play alone, instead of assisting, he says: “_=I play this alone=_,” and the dealer lays down his cards, leaving the trump on the pack. _=PLAYING ALONE.=_ No player but the one that takes up, orders up, or makes the trump can play a lone hand. If the dealer takes up the trump card of his own accord, he can play alone.
Mabbott). (_b_) Two children stand together joining hands tightly, to personate a fortress; one child stands at a distance from these to personate the King of Barbarie, with other children standing behind to personate the soldiers (fig. 1). Some of the soldiers go to the fortress and surround it, singing the first verse (fig. 2). The children in the fortress reply, the four first verses being thus sung alternately. The soldiers then go to the King singing the fifth verse (fig. 3), the remaining verses being thus sung alternately. One of the soldiers then goes to the fortress and endeavours by throwing herself on the clasped hands of the children forming the fortress to break down the guard (fig. 4).
B and C pass, and D antes two counters. The dealer, E, says: “I pass for a jack.” A then puts up three counters, one of which is added to his blind, the other two paying D’s ante in the ensuing jack. D takes down his two counters, and the cards are redealt. This cannot be done if more than one player has anted, nor if the ante has been raised or the blind straddled. In the example just given, had D raised the ante to five counters and E passed, the age would have had to put up four more white counters and draw cards, or allow D to win his blind. _=Progressive Jacks.=_ In some localities it is the custom to make the pair necessary to open a jack pot progress in value; Jacks or better to open the first round; Queens the next; then Kings; then Aces; and then back to Kings, Queens, and Jacks again. This is very confusing, and is not popular. _=Fattening Jacks.
If there are three players, three cards are left for the widow: two cards are left when five play, and four when six play. The player winning the first trick takes in the widow, with any hearts it may contain. He is entitled to look at these cards, but must not show or name them to any other player. The game then proceeds in the usual way. Payments are made to the pool for all hearts taken in, and the pool is then won, divided, or remains to form a Jack, just as at Sweepstake Hearts. The chief difference in the game is that the other players do not know whether the winner of the first trick is loaded or not, and he is the only player who knows how many or what hearts are still to be played. _=DOMINO HEARTS.=_ In this variation, six cards only are dealt to each player, the remainder of the pack being left face down on the table. When a player is unable to follow suit, he must draw cards from the stock, one at a time, until he can. The last player with any cards left in his hand must take what is left of the stock, if any.
--Ninfield, Sussex, about sixty years ago (Charles Wise). III. Rise daughter, rise daughter, off of your poor feet, To see your dear mother lie dead at your feet. I won t rise, I won t rise off of my poor feet, To see my dear mother lie dead at my feet. Rise daughter, rise daughter, off of your poor feet, To see your poor father lie dead at your feet. I won t rise, I won t rise off of my poor feet, To see my poor father lie dead at my feet. Rise daughter, rise daughter, off of your poor feet, To see your dear sister lie dead at your feet. I won t rise, I won t rise off of my poor feet, To see my poor sister lie dead at my feet. Rise daughter, rise daughter, off of your poor feet, To see your poor brother lie dead at your feet. I won t rise, I won t rise off of my poor feet, To see my poor brother lie dead at my feet.
|tumble down. | |17.| -- | -- | -- | |18.| -- | -- | -- | |19.| -- | -- | -- | |20.| -- | -- | -- | |21.|Mend it up with pins | -- |Mend it up with pins | | |and needles. | |and needles. | |22.|Pins and needles they | -- |Pins and needles rust | | |will break.