-+---+-.-+---+ | . | | . | | . | | . | | +-.-+---+-.-+---+-.-+---+-.-+---+ | .

=_ One white and four red counters are necessary. The white counter is passed to the left from player to player in turn, to indicate the position of the next deal. The red counters are placed in front of the maker of the trump and his partners, to distinguish them from their opponents. Markers are not used, the score being kept on a sheet of paper. The score is usually kept by a person who is not playing, in order that none of those in the game may know how the various scores stand. Should an outsider not be available for scoring, there are two methods: One is for one player to keep the score for the whole table, who must inform any player of the state of the score if asked to do so. The other is to have a dish of counters on the table, each player being given the number he wins from time to time. These should be placed in some covered receptacle, so that they cannot be counted by their owner, and no other player will know how many he has. As it is very seldom that a successful bid is less than five, and never less than four, counters marked as being worth 4, 5, 6 and 7 each will answer every purpose, and will pay every bid made. _=Cutting.

| -- | -- | -- | |39.| -- |Set a cock to crow | -- | | | |all night. | | |40.| -- |If the cock should | -- | | | |meet a hen. | | |41.| -- | -- |How many pounds will | | | | |set him free? | |42.| -- | -- |Three hundred pounds | | | | |will set him free. | |43.| -- | -- |The half of that I | | | | |have not got. | |44.

_=9.=_ _=DEALING.=_ The dealer must present the pack to the pone to be cut. At least four cards must be left in each packet. If a card is exposed in cutting, the pack must be reshuffled, and cut again. If the dealer reshuffles the pack after it has been properly cut, he loses his deal. _=10.=_ Beginning on his left, the dealer must give to each player in rotation _=two=_ cards on the first round, and _=three=_ on the second; or three to each on the first round, and two on the second. Five cards having been given to each player in this manner, the next card is turned up for the trump. The deal passes to the left.

Follow my Gable. Follow my Leader. Fool, Fool, come to School. Foot and Over. Football. Forfeits. Fox. Fox and Goose (1). Fox and Geese (2). Fox in the Fold.

The first decision made by either adversary is final and cannot be altered. 51. At any time during the declaration, a question asked by a player concerning any previous bid must be answered, but, after the final declaration has been accepted, if an adversary of the declarer inform his partner regarding any previous declaration, the declarer may call a lead from the adversary whose next turn it is to lead. If the dummy give such information to the declarer, either adversary of the declarer may call a lead. A player, however, at any time may ask what declaration is being played and the question must be answered. 52. A declaration legitimately made cannot be changed after the next player pass, declare, or double. Prior to such action a declaration inadvertently made may be corrected. If, prior to such correction, an adversary call attention to an insufficient or impossible declaration, it may not thereafter be corrected nor may the penalty be avoided. DOUBLING AND REDOUBLING.

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He must pay each adversary 115 white counters. TABLE No. 1. ----------------------+--------+-----------------+---------+ | | The trump being | | | No +-----+-----+-----+ Extra | | trump. | ♣♠ | ♡ | ♢ | tricks. | ----------------------+--------+-----+-----+-----+---------+ Boston, five tricks | | 10 | 20 | 30 | 5 | Six tricks | | 30 | 40 | 50 | 5 | Little misère | 75 | | | | | Seven tricks | | 50 | 60 | 70 | 5 | Piccolissimo | 100 | | | | | Eight tricks | | 70 | 80 | 90 | 5 | Grand misère | 150 | | | | | Nine tricks | | 90 | 100 | 110 | 5 | Little spread | 200 | | | | | Ten tricks | | 110 | 120 | 130 | 5 | Grand spread | 250 | | | | | Eleven tricks | | 130 | 140 | 150 | 5 | Twelve tricks | | 150 | 160 | 170 | 5 | Slam, thirteen tricks | | 400 | 450 | 500 | | Spread slam | | 600 | 700 | 800 | | TABLE No. 2. In America, the last two items are usually reduced, and are given as follows:-- | | ♣♠ | ♡ | ♢ | | Slam, thirteen tricks | | 250 | 300 | 350 | | Spread slam | | 350 | 400 | 450 | | ----------------------+--------+-----+-----+-----+---------+ Why a player should be paid more for spreads than for eleven or twelve tricks while the trick bid outranks the spreads, is difficult to understand; but we have no authority to change the tables. Misère Partout wins nothing but the pool. If partners play, it is usual for the losers to pay the adversaries on their right; or, if partners sit together, to pay the adversary sitting next.

The surface of the wheel slopes from the axis to the outer edge, which is divided into small square pockets, coloured alternately red and black, and each having a number just above it, on the surface of the wheel. These numbers may be in any order, according to the fancy of the maker of the wheel, and they may run from 1 to 27, to 30, to 33, or to 36. In addition to the numbers there are zero marks, which are called _=single=_ and _=double 0=_, and _=Eagle Bird=_. All three of these are used in American wheels, and they are green, so that they win for neither colour. In some of the European wheels there are two zeros, the single 0 being red, and the double 0 black. The single 0 also counts as “odd,” and as below 19; while the double 0 is “even,” and above 18. Bets on odd or even, above and below, are not paid, however, but must remain on the table until the next roll, when the player either gets back twice his money or loses it all. At Monte Carlo there is only one zero, which is green, and takes everything but bets on itself. The numbers on the wheel are arranged as follows at Monte Carlo, the heavy type being the black:-- [Illustration] The pockets on the edge of the wheel are at the bottom of a sort of circular valley, the centre of which is formed by the revolving wheel, and the outer slope by a stationary but rising margin or border, at the top of which is an overhanging edge, under which the banker spins a small ivory ball, always in the direction opposite to that in which the wheel is turning. As the ball loses its momentum it strikes some little brass ridges, which cause it to jump onto the wheel, and then to run into one of the pockets.

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--Cole s _Glossary_. The following letter relating to this game is extracted from the _Worcestershire Chronicle_, September 1847, in Ellis s edition of Brand:-- Before the commons were taken in, the children of the poor had ample space wherein to recreate themselves at cricket, _nurr_, or any other diversion; but now they are driven from every green spot, and in Bromsgrove here, the nailor boys, from the force of circumstances, have taken possession of the turnpike road to play the before-mentioned games, to the serious inconvenience of the passengers, one of whom, a woman, was yesterday knocked down by a _nurr_ which struck her in the head. Brockett says of this game, as played in Durham: It is called Spell and Ore, Teut. spel, a play or sport; and Germ. knorr, a knot of wood or ore. The recreation is also called Buckstick, Spell, and Ore, the buckstick with which the ore is struck being broad at one end like the butt of a gun (_North Country Words_). In Yorkshire it is Spell and Nurr, or Knur, the ore or wooden ball having been, perhaps, originally the knurl or knot of a tree. The _Whitby Glossary_ also gives this as Spell and Knor, and says it is known in the South as Dab and Stick. The author adds, May not tribbit, or trevit, be a corruption of three feet, the required length of the stick for pliable adaptation? Robinson (_Mid-Yorkshire Glossary_), under Spell and Nur, says: A game played with a wooden ball and a stick fitted at the striking end with a club-shaped piece of wood. The spell made to receive and spring the ball for the blow at a touch, is a simple contrivance of wood an inch or so in breadth and a few inches long.

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Cut Shots, very fine winning hazards. Dealing Off, the same dealer dealing again. Deck-head, an Irish name for the turned trump at Spoil Five. Deadwood, the pins that fall on the alley, in bowling. Décavé, F., frozen out; the entire amount of the original stake being lost. Défausser, se, F., to discard. D’emblée, F., on the first deal; before the draw.

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_=THE LEADER’S PARTNER=_, or the Third Hand, has several conventional plays to remember; the most important of which are the following: _=When Partner Leads High Cards=_, the Third Hand has usually little to do but to play his lowest of the suit. The exceptions are: If he holds A J alone, on a King led, the Ace should be played. If he holds A Q alone on a Ten led, the Ace should be played. With A Q x, the Ten should be passed. With Ace and small cards, the Ace should be played on the Ten. With Queen and small cards the Ten should be passed. When Third Hand plays Queen on a Ten led, it should be a certainty that he has no more of the suit. If he holds A K and only one small card, the King should be played on a Queen led. If he holds Ace and only one small card, the Ace should be played on the Jack led. If Third Hand has four trumps and a card of re-entry, the Ace should be played on Jack led, regardless of number, in older to lead trumps at once, to defend the suit.

| -- | -- | -- | |26.| -- | -- | -- | |27.| -- |True love not dead, he| -- | | | |sends letter to turn | | | | |your head. | | |28.| -- | -- | -- | |29.| -- | -- | -- | |30.| -- | -- | -- | |31.| -- | -- | -- | +---+----------------------+----------------------+----------------------+ +---+----------------------+----------------------+----------------------+ |No.| Sporle, Norfolk. | Gainford, Durham.

| | . | | . | | +-.-+---+-.-+---+-.-+---+-.-+---+ | . | | . | | . | | .

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In following suit, the most annoying hand that one can hold is one containing at least three cards of each suit, none of them below a 6. There is no hope of a discard, unless two players make a fight in some one suit, which they lead four or five times in order to load each other, regardless of the escape of the other players. This very seldom occurs, and never among good players. With such a hand escape is almost impossible, and it is usually best to make the losses as small as possible. Many good players, with such a hand, will deliberately take in hearts on the plain suits, hoping to escape with only one or two in each trick, instead of having to carry the whole load by getting into the lead at the end. It should never be forgotten that when you must inevitably take some hearts it is cheaper to take them in on plain suits than to win heart tricks. _=CONTROL OF THE LEAD.=_ One of the strongest points in good heart play is the proper control of the lead at certain times. A player whose hand contains no commanding cards, and who is unable to do anything but follow suit on the first two or three rounds, will often find himself compelled to win one of the later rounds with a small card, taking in one or two hearts with it; and this misfortune usually overtakes him because a certain player gets into the lead at a critical period of the hand. If he sees the impending danger, and has K, Q or J of a suit led, he will not give up his high card, even if the ace is played to the trick; but will retain it in order to prevent the possibility of the dangerous player getting into the lead on the second round of the suit.

Down here with the hot Sun around us, it feels so good and so quiet. You can feel everything spinning and turning. It s nice and sharp and compact. It s sort of like sitting around home. Woodley grunted. He was not much given to flights of fantasy. Undeterred, Underhill went on, It must have been pretty good to have been an Ancient Man. I wonder why they burned up their world with war. They didn t have to planoform. They didn t have to go out to earn their livings among the stars.

This consideration is secondary to the return of the best, or one of the second and third best; but in the absence of such cards, the Third Hand should always return the higher of only two remaining, and the lowest of three or more, regardless of their value. In addition to the foregoing conventionalities, which are proper to the leader of a suit and his partner, there are two usages which apply equally to any player at the table. These are discarding and forcing. _=Discarding.=_ When a player cannot follow suit, and does not wish to trump, his safest play is to discard whatever seems of least use to him. It is not considered good play to unguard a King or to leave an Ace alone; but this may be done if the partner is leading trumps, and there is a good established suit to keep. Beginners should be careful to preserve cards of re-entry, even if they have to discard from their good suit in order to do so. When the adversaries have shown strength in trumps, or are leading them, there is little use in keeping a long suit together. It is much better to keep guard on the suits in which they are probably strong, letting your own and your partner’s go. A player having full command of a suit, may show it to his partner by discarding the best card of it.

], who she goes with; after that the rest is sung. See All the Boys. Merrils See Nine Men s Morris. Merritot, or the Swing This sport, which is sometimes called Shuggy-shew in the North of England, is described as follows by Gay:-- On two near elms the slackened cord I hung, Now high, now low, my Blouzalinda swung. So Rogers, in the _Pleasures of Memory_, l. 77:-- Soar d in the swing, half pleas d and half afraid, Through sister elms that wav d their summer shade. Speght, in his _Glossary_, says, Meritot, a sport used by children by swinging themselves in bell-ropes, or such like, till they are giddy. In _Mercurialis de Arte Gymnastica_, p. 216, there is an engraving of this exercise. Halliwell quotes from a MS.

The next hand does not interest him, as he is busy studying the location of the cards in the still pack. When this comes into play on the next deal, he will follow every cut, and finally cut for himself so that the desired distribution of the suits shall come about. Even if he fails to secure an invincible hand for bidding on himself, he knows so nearly the contents of the other hands that he can bid them up, and afterwards play against them to great advantage. It is unnecessary to say that if a greek can mark the cards, the game becomes a walkover, even if he can recollect only the hand on his left. _=SUGGESTIONS FOR GOOD PLAY.=_ Boston so closely resembles Solo Whist in such matters as bidding, and playing single-handed against three others, that the reader may be referred to that game for the outlines of the principles that should guide him in estimating the probable value of his hand, playing for tricks or for misères, and combining forces with his partners for the purpose of defeating the single player. For laws, see Whist Family Laws. BOSTON DE FONTAINEBLEAU. This game is sometimes, but incorrectly, called French Boston. The latter will be described in its proper place.

I _don t_ want to die! Who s dying? I snapped. He s shooting me! she gasped. Shoot? With what? I had one terrified moment--what to lift? What was aimed at her? At the last possible moment I saw it. His crap-stick was a hollow tube, and he was raising it toward _me_, not toward Pheola. I d heard of things like that--a gas-powered dart gun. Silent, and shooting a tiny needle with a nerve poison in grooves cut in its tip. I lifted, but half in panic. Fowler Smythe squeezed his trigger and the tiny dart leaped unseen across the crap layout. My lift had been way off--it should have thrown the stick toward the ceiling, where no one would have been hurt. Instead it merely twitched the crap-stick, and the dart struck Pheola in the left hand.

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_=12.=_ The deal passes to the left, except in jack pots, when it may be agreed that the same dealer shall deal until the pot is opened. _=13. Misdealing.=_ A misdeal does not lose the deal; the same dealer must deal again. It is a misdeal: If the dealer fails to present the pack to the pone; or if any card is found faced in the pack; or if the pack is found imperfect; or if the dealer gives six or more cards to more than one player; or if he deals more or fewer hands than there are players; or if he omits a player in dealing; or if he deals a card incorrectly, and fails to correct the error before dealing another. _=14. Irregularities in the Hands.=_ Should the dealer, or the wind, turn over any card, the player to whom it is dealt must take it; but the same player cannot be compelled to take two exposed cards. Should such a combination occur there must be a new deal.

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--Northall s _English Folk Rhymes_, p. 353. (_b_) In this game two children cross hands, grasping each other s wrists and their own as well: they thus form a seat on which a child can sit and be carried about. At the same time they sing the verse. Carrying the Queen a Letter The King and Queen have a throne formed by placing two chairs a little apart, with a shawl spread from chair to chair. A messenger is sent into the room with a letter to the Queen, who reads it, and joins the King in a courteous entreaty that the bearer of the missive will place himself between them. When he has seated himself on the shawl, up jumps the King and Queen, and down goes the messenger on the floor.--Bottesford and Anderly (Lincolnshire), and Nottinghamshire (Miss M. Peacock). (_b_) This is virtually the same game as Ambassador, described by Grose as played by sailors on some inexperienced fellow or landsman.

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If you open a long suit, Dummy having only small cards, and your partner wins with Q, J, or 10, and does not return it, he has evidently a finesse in the suit and wants it led again. _=End Games.=_ In the end game there are several variations which are made possible by the fact that the cards on your right are exposed. With A J x, Dummy having Q x x, the small card should be led. With Q x, and an odd card, Dummy having K x x of the first suit; it is better to play the odd card; but if for any reason this should not be done, lead the Q, hoping to find A 10 with your partner. The state of the score must be a constant guide in all end games. For instance: You hold Q 10 x, Dummy having J 9 x. If you want only one trick, play the Queen; but if you want two, play the small card. _=SECOND HAND PLAY.=_ The easiest position to play as second hand, is, of course, with the Dummy on your left, because Dummy’s cards will show what is best to be done.

Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4.

Woodley grunted. Underhill glanced at him oddly. Didn t Woodley ever do anything but grunt? Father Moontree looked at the other three. You might as well get your Partners now. I ll let the Scanner know we re ready to go into the Up-and-Out. THE DEAL Underhill spun the combination lock on the Lady May s cage. He woke her gently and took her into his arms. She humped her back luxuriously, stretched her claws, started to purr, thought better of it, and licked him on the wrist instead. He did not have the pin-set on, so their minds were closed to each other, but in the angle of her mustache and in the movement of her ears, he caught some sense of gratification she experienced in finding him as her Partner. He talked to her in human speech, even though speech meant nothing to a cat when the pin-set was not on.

You re the best, Wally Bupp, he said. He s too good a friend of mine to call me Lefty and remind me that I m a cripple. It was Maragon who did that. I hadn t noticed him, but somebody gave me the grip, and I looked around. He was back against the wall, short, gray and square. I gave his ear lobe a TK tug in return, harder, perhaps, than was necessary, and nodded for him to follow both of us to my office. We ll have to talk about it, Lefty, he said, as he closed the door against the smell of iodoform. No, we don t, I said. I don t care who is losing how much money at Peno Rose s Sky Hi Club. Right here in this hospital people are dying.

KENT Pegge s _Alphabet of Kenticisms_. Bexley Heath Miss Morris. Crockham Hill, Deptford Miss Chase. Platt Miss Burne. Wrotham Miss D. Kimball. { Nodal and Milner s _Glossary_, LANCASHIRE { Harland and Wilkinson s _Folk-lore_, { ed. 1882, Mrs. Harley. Monton Miss Dendy.

I now turned my attention to his still largely unbroken right, from which a gun had maintained a galling fire on us throughout the fight. I might still have had some stiff work getting an attack home to the church, but Red had had enough of it, and now decided to relieve me of any further exertion by a precipitate retreat. My gun to the right of Hook s Farm killed three of his flying men, but my cavalry were too badly cut up for an effective pursuit, and he got away to the extreme left of his original positions with about 6 infantry-men, 4 cavalry, and 1 gun. He went none too soon. Had he stayed, it would have been only a question of time before we shot him to pieces and finished him altogether. So far, and a little vaingloriously, the general. Let me now shrug my shoulders and shake him off, and go over this battle he describes a little more exactly with the help of the photographs. The battle is a small, compact game of the Fight-to-a-Finish type, and it was arranged as simply as possible in order to permit of a full and exact explanation. [Illustration: Fig. 6b--Battle of Hook s Farm.

=_ Players cutting cards of equal value cut again; but the new cut decides nothing but the tie. _=PLAYER’S POSITIONS.=_ The _=eldest hand=_, or age, sits on the left of the dealer, and the _=pone=_ sits on the dealer’s right. There are no distinctive names for the other positions. When _=two=_ play, they sit opposite each other. When _=three=_ play, each for himself, the game is known as _=Cut Throat=_, and the position of the players is immaterial. When _=four=_ play, the partners sit opposite each other. When _=five=_ or _=seven=_ play, the maker of the trump in each deal selects his partners, and they play against the others without any change in their positions at the table. When _=six=_ play, three are partners against the other three, and the opposing players sit alternately round the table. _=STAKES.

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2, 3, 4, &c. Walk into No. 1 with stone on foot, and out at No. 8. Kick it up and catch it. The same with stone on thumb. Toss it up and catch. Again with stone on your back. Straighten up, let it slide into your hand. In Stead s _Holderness Glossary_, this is described as a boys or girls game, in which the pavement is chalked with numbered crossed lines, and a pebble or piece of crockery is propelled onward by the foot, the performer hopping on one leg, the number reached on the chalk-line being scored to him or her.