What shall we dress her in, dress her in, dress her in? What shall we dress her in? Shall it be red? Red for the soldiers, soldiers, soldiers, Red for the soldiers, and that shall not do. What shall we dress her in, dress her in, dress her in? What shall we dress her in? Shall it be orange? Orange for the Orange-men, Orange-men, Orange-men, Orange for the Orange-men, and that shall not do. What shall we dress her in, dress her in, dress her in? What shall we dress her in? Shall it be white? White for the corpse, the corpse, the corpse, White for the corpse, and that will just do. We have lost a soldier, soldier, soldier, We have lost a soldier, and the Queen has lost a man. We will bury him in the bed of glory, glory, glory, We will bury him in the bed of glory, and we ll never see him any more. --Holywood, co. Down (Miss C. N. Patterson). V.
When the balls are so close together that to run the cue through the ball would make a foul shot, the draw may still be made by pointing the cue off to the side, and pushing it past the cue ball, instead of through it. This will secure the retrograde motion, but accompanied by a great deal of twist, which must be calculated for if the cue ball is to strike a cushion. A short draw may also be made by using the pinch. [Illustration] _=The Massé.=_ Most players imagine this to be a very difficult shot, but it is extremely simple if the principle of the direction of the cue and the effect of the pinch are kept in view. If we place the three balls in a straight line, about four inches apart, we have the simplest form of the massé. To find the exact spot at which the cue ball must be struck, join the centres of the cue and object balls by an imaginary line A-B. At right angles to this will be a line A-E, and no matter which side of the ball B you wish to massé upon, your cue must strike the ball A somewhere on the line A-E. Suppose you wish to massé to the left, as shown in the diagram. The pinch must be made on the ball about a quarter from the top, the cue being pointed in the direction in which you want the ball to go, which will be to the extreme edge of B, on the line C-D.
520). II. Bellasay, bellasay, what time of day? One o clock, two o clock, three, and away. --Halliwell s _Nursery Rhymes_, p. 283. (_b_) The children form long trains, standing one behind the other. They march and sing the first four lines, then the fifth line, when they stand and begin again as before. (_c_) Miss Burne suggests a connection with the old pack-horses. Mr. Addy (_Sheffield Glossary_) gives the first two lines as a game.
Some players say he should be strong in trumps; while others claim that the eldest hand should propose only on general strength. The former is the better plan. No other player should propose on trumps alone. This announcement is made by saying “_=I propose=_.” If a player thinks he can take five tricks against the combined efforts of the three other players, he announces: “_=Solo=_.” If he feels equal to a misère, he calls: “_=Misère=_;” and so on, according to the strength of his hand. If he does not feel justified in making a call, he says “_=I pass=_;” and the next player on his left has the opportunity; and so on, until some player has proposed to do something, or all have passed. If any player has proposed for a partner, any of the others, in their proper turn, may accept him by simply saying “_=I accept=_.” By so doing, a player intimates that he has four probable tricks also, but in the plain suits, and that he is willing to try for eight tricks with the proposer for a partner. All the other calls are made by a single player with the intention of playing against the three others.
The eldest hand begins by leading any card he pleases, and if he has those in sequence and suit with it and above it, he continues to play until he fails. He then says “No six,” or whatever the card may be that he stops on. The next player on his left then continues the sequence if he can, or if he cannot, he says, “No six,” also, and it passes to the next player. If no one can continue, the card must be in the stock, which remains on the table face down and unseen. When one sequence _is_ stopped in this manner, the last player has the right to begin another with any card he pleases. The object of the game is twofold; to get rid of all the cards before any other player does so, and to get rid of the cards which appear on the layout. If the duplicate of any of those cards can be played, the holder of the card at once takes all the money staked upon it; but if he fails to get rid of it before some player wins the game by getting rid of all his cards, the player who is found with one of the layout cards in his hand at the end must double the amount staked on that card, to which the next dealer will add the usual contribution. The player who first gets rid of all his cards collects from the other players a counter for every card they hold. These cards must be exposed face up on the table, so that all may see who has to double the various pools. If any of the layout cards are in the stock, the pool simply remains, without doubling.
Even if it was not so intended, it is assumed that a trump lead cannot injure a player with nothing smaller than a Nine in his hand. _=Answering Trump Signals.=_ In response to partner’s call, a player should lead the best trump if he holds it; one of the second and third best if he holds them; the highest of three or less; the lowest of four; and the fourth-best of more than four. Holding any of the regular high-card combinations in trumps, he should lead them in the regular way in answer to a call. _=After a Force.=_ If the player is forced before he can answer the call, he may indicate the number of trumps originally held by playing them in this manner:-- With 3 or less; trumping with the lowest; leading the highest. With 4 exactly; trumping with the 3rd-best; leading the highest. With 5 or more; trumping with the 3rd-best; leading the 4th-best. These methods of taking the force must not be carried to extremes. For instance: A player holding K J 10 2, would hardly be justified in trumping with the 10 to show number.
| -- | -- | -- | |23.|He s sent letter to |I send you letter to |He sent this letter to| | |turn head. |turn round your head. |turn my head. | |24.| -- | -- | -- | |25.| -- | -- | -- | |26.| -- | -- |Mother, is it true? | | | | |What shall I do? | |27.| -- | -- | -- | |28.| -- | -- | -- | |29.
If four play, the dealer takes no cards. If five play, he gives cards to the two on his left and one on his right. _=Cards.=_ There are thirty-six cards in the pack, which rank: A 10 K Q J 9 8 7 6. Each Ace is worth 11, Tens are worth 10, Kings 4, Queens 3, and Jacks 2. This gives us 120 points in the pack, and the object is to get 61 or more. _=Dealing.=_ Any one can deal the first hand, after which the deal passes to the left. Three cards are given to each player the first round, then three for the widow, and then two rounds of four cards each to the players, so that there are three hands of eleven cards each, and three in the widow. _=THE GAMES.
The last card in the pack must not be dealt. If there are not enough cards to supply the players, the discards must be gathered up, shuffled together, and cut. _=Naturals.=_ The cards all dealt, the dealer first examines his hand. If he has exactly 21, an Ace and a tenth card, which is called a natural, he shows it at once, and the players must pay him twice the amount they have staked in front of them, unless they also have a natural, when it is a stand-off. If the dealer has not a natural, each player in turn, beginning with the eldest hand, examines his two cards to see how nearly their total value approaches 21. If he has a natural, he exposes it immediately, and the dealer must pay him double the amount staked. It is sometimes the rule for the holder of a natural, the dealer having none, to take the stakes of all the other players; but this variation is not in favour. _=Drawing.=_ No natural being shown, each player in turn may draw another card, or stand on the two dealt him, which are not shown under any circumstances.
In the _Comedy of Lingua_, 1607, act iii., sc. 2, Anamnestes introduces Memory as telling how he played at blowe-point with Jupiter when he was in his side-coats. References to this game are also made in _Apollo Shroving_, 1627, p. 49; and see Hawkins _English Drama_, iii. 243. See Dust-Point. Bob Cherry A children s game, consisting in jumping at cherries above their heads and trying to catch them with their mouths (Halliwell s _Dictionary_). It is alluded to in Herrick s _Hesperides_ as Chop Cherry. Major Lowsley describes the game as taking the end of a cherry-stalk between the teeth, and holding the head perfectly level, trying to get the cherry into the mouth without using the hands or moving the head (_Berkshire Glossary_).
In combining cards, those already on the table are gathered together; in building, or increasing a build, a card must be played from the hand. If one player has made a build of any description, it cannot be interfered with or increased except by other cards from a player’s hand, those from the table not being available. For instance: One player has built a 5 by combining two Aces on the table with a 3 from his hand. On the table are also a 2 and 4 and a following player holds a 9 and 7. He cannot use the deuce on the table to increase the build from 5 to 7, nor the 4 to increase it to 9; because that would not be building from his hand; but if he held the 4 and 9 in his hand, he could build on the 5. The simple rule to be remembered is that no combination of cards once announced, and left on the table, can be changed, except by the addition of a card from the hand of some player. _=Taking In.=_ Any player who has made a build is obliged either to win it, when it is next his turn to play, or to win something else, or to make another build. For instance: He has built a 5 into a 9 with a 4, and holds another 4; if another 5 appears on the table before it comes to his turn to play, he may build that into a 9 also, with his other 4, announcing, “Two Nines.” Or if some player should lay out a 4 he could pair it and take it in, leaving his 9 build until the next round.
With less than three aces, Dummy cannot make it no-trumps under any circumstances; but must name the longest suit. If two suits are equal, the pips on each are counted, reckoning aces as 11 each, other honours at 10 each, and the larger number of pips is the suit. If this is still equal, the more valuable suit must be declared. No one but the eldest hand may double, and no one but the dealer may redouble. In order to make this fair for both sides, it is usual to let the pone sort and declare on Dummy’s cards, so that the dealer shall not see them until the first card is led. No matter what points are made for tricks, the dealer only can score them below the line, to count toward game. If the adversaries make the odd trick, they score above the line, in the honour column, so that no one can go out except on his own deal. After the deal is finished and scored, the players move, so as to bring about a change of partners. The one on the left of the vacant place moves into it, and the player on his right deals. Three of these movements bring about the original position.
If the sequence has been declared, a player cannot take from it the King and Queen and score a marriage; neither can he add a new Queen to the King already in the sequence, and announce a marriage; because the higher combination was scored first. But if the marriage is first announced, the A 10 J may be added and the sequence scored, after winning another trick. Cards once used in combination cannot again be used in combinations of equal value of the same class. For instance: Four Kings have been declared, and one of them afterward used in the course of play. The player cannot add a new King to the three remaining, and announce four Kings again. A marriage in spades has been declared, and the King got rid of in play. A new King of spades will not make another marriage with the old Queen. A bézique has been scored, and the Jack got rid of in play; a new Jack of diamonds will not make another bézique with the old Queen. Some judgment is necessary in making announcements, the question of time being often important. Suppose hearts are trumps, and the winner of the trick holds double bézique, sixty Queens, and a royal marriage:-- [Illustration: 🃋 🃋 🂭 🂭 🃍 🂽 🂾 ] He cannot lay all these cards down at once, and claim 600 points.
I peep d through the window, I peep d through the door, I seed pretty ---- A-dancin on the floor; I cuddled her an fo dled her, I set her on my knee; I says pretty ---- Won t [ëe?] you marry me. A new-swept parlour, An a new-made bed, A new cup and saucer Again we get wed. If it be a boy, he shall have a hat, To follow with his mammy to her na , na , na ; If he be a gell, she shall have a ring, To follow with her mammy to her ding, ding, ding. --Wakefield (Miss Fowler). (_c_) The more general way of playing this game is to form a ring of children simply. The children walk round singing the verse as in the Belfast version, and when the last line is sung, the child whose name is mentioned turns round, facing the outside of the ring and having her back to the centre. She continues to hold hands with the others, and dances round with them in that position. This is repeated until all the children have turned their backs to the inside of the ring. Here the game ends in many cases, but another verse is sung in the Lincoln, Winterton, and Wakefield versions from Miss Peacock, and this was sung also in the London version. The second verse thus terminates the game, with the players one by one reversing their position and facing the centre of ring as at first.
=_ Beyond the usual qualifications necessary to succeed with any member of the poker family, Bouillotte requires some study of the probable value of the point, which value will vary with the number of players engaged in the coup. For instance: The first player to say, having only 21 in his hand, should ante; but if two other players had already anted, 31, or even 40 would be a doubtful hand. If a bet had been made and met by another player, such a point should generally be laid down. With good cards it is always better for the eldest hand to pass, especially with a brelan, for he will then have an opportunity to judge of the value of the hands against him, and he can raise the bet to his advantage. Good players will not bet on an ace alone, unless the suit is turned up; nor on a point of 21 with a weak card of the turn-up suit. If three play in a pool the point should be very strong to follow beyond the first raise; and if four players are engaged, it is almost a certainty that brelans will be shown. When a player with a brelan has frightened off his opponents with a big bet, it is usual to _=stifle=_ the brelan, as it is considered more to the player’s advantage to leave his adversaries under the impression that he may have been bluffing than to show the hand for the sake of the one white counter to which it entitles him. With three cards of one suit to the King, it is usual to bet high, in order to drive out anything but a brelan. Any player holding ace and another of the suit will of course abandon his hand, as his point is worth only 21 at the most, and the player with three to the King will get the benefit of his cards when the point is counted. AMBIGU.
What am I to wash in, Daughter, daughter, What am I to wash in, Gentle sweet daughter o mine? Wash in the thimble, Mother, mother, Wash in the thimble, Gentle sweet mother o mine. Thimble won t hold your father s shirt, Daughter, daughter, Thimble won t hold your father s shirt, Gentle sweet daughter o mine. Wash in the river, Mother, mother, Wash in the river, Gentle sweet mother o mine. Suppose the clothes should blow away, Daughter, daughter, Suppose the clothes should blow away, Gentle sweet daughter o mine? Set a man to watch them, Mother, mother, Set a man to watch them, Gentle sweet mother o mine. Suppose the man should go to sleep, Daughter, daughter, Suppose the man should go to sleep, Gentle sweet daughter o mine? Take a boat and go after them, Mother, mother, Take a boat and go after them, Gentle sweet mother o mine. Suppose the boat should be upset, Daughter, daughter, Suppose the boat should be upset, Gentle sweet daughter o mine? Then that would be an end of you, Mother, mother, Then that would be an end of you, Gentle sweet mother o mine. --London Nursemaid, 1876 (A. B. Gomme). II.
=_ If the leader wins the first trick, having the best of the suit in his hand, he should follow with the winning card; but if he has several cards which are equally winning cards, he should lead the lowest of them. This is an indication to the partner that the card led is as good as the best; therefore the leader must hold the intermediate cards. When a King wins, your partner knows you have the Ace, if he does not hold it. Then tell him what he does not know, that you have the Queen also. Suppose you have led the King from these combinations:-- [Illustration: 🂱 🂾 🂽 🂻 | 🂡 🂮 🂭 🂢 ] Your partner knows you have the Ace, because your King wins. From the first, go on with the Jack, which is just as good as the Ace, but tells your partner you have not only the Ace but the Queen, still in your hand. From the second, go on with the Queen, the card your partner does not know, which tells him you still have the Ace, _=but not the Jack=_. If you have not the Queen, you will have to go on with the Ace, and your leading the Ace _=will deny the Queen=_. If you have not the best, lead one of the second and third-best, if you hold both:-- [Illustration: 🃞 🃝 🃛 🃚 | 🂾 🂽 🂻 🂲 ] From the first of these, having led the King, if it wins, go on with the ten, whether you have any smaller cards or not. From the second, if the King wins, go on with the Jack, which denies the ten, but tells your partner you still have the Queen.
There was a job for me at one of them. I began to shut out the distractions of sight and sound. I wanted nothing to dull my PSI powers. A blond bombshell slithered down the bar and ground herself against my leg. Wanna buy me a drink, honey? she gasped. I smuggled a lift and slipped all four of her garters off the tops of her hose. A funny, stricken look replaced the erotic face she had made at me. She headed for dry dock. B-girls usually work in pairs, so I looked down toward the other end of the polished mahogany. Sure enough, there was the brunette, frowning as she tried to figure why the blond bomber had high-tailed it out of there.
Beginning on his left the dealer distributes the cards face down, and one at a time, until each player has received three. Beginning with the age, [eldest hand,] each player in turn must put up an amount equal to the dealer’s ante, or abandon his hand. He may, if he chooses, raise the ante any further amount within the betting limit. All those following him must meet the total sum put up by any individual player, increase it, or pass out. In this respect Brag is precisely similar to the betting after the draw at Poker. If no one will see the dealer’s ante, he must be paid one white counter by each of the other players, and the deal passes to the left. Should any player bet an amount which no other player will meet, he takes the pool without showing his hand. Should a call be made, all the hands must be shown, and the best brag hand wins. Pairs and triplets are the only combinations of any value, and of course three aces is the best hand; two aces and the club Jack being the next best. If none of the hands shown contains either a natural pair or a bragger, the highest card wins, the ace ranking above the King.
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10 - 9 - 8 - - 7 - 8 9 - - 8 - 9 10 - - 9 ---------- 46 41 _=Progression.=_ This is a favourite martingale with those who have not the courage or the money to double up. It consists in starting with a certain amount for the first bet, say ten dollars, and adding a dollar every time the bet is lost, or taking off a dollar every time a bet is won. If the player wins as many bets as he loses, and there is no percentage against him, he gets a dollar for every bet he wins, no matter how many bets he makes, or in what order the bets are won and lost, so that the number won equals the number lost. That this is so may be easily demonstrated by setting down on a sheet of paper any imaginary order of bets, such as the ten shown in the margin, five of which are won, and five lost; the net profit on the five bets won being five dollars. No matter how correctly the player may be guessing, and how much the luck runs his way, he wins smaller and smaller amounts, until at last he is “pinched off.” But if a long series of events goes against him his bets become larger and larger, but he must keep up the progression until he gets even. If ten bets go his way he wins $55; if ten go against him he loses $145. It is said that Pettibone made a fortune playing progression at Faro, which is very likely, for among the thousands of men who play it the probabilities are that one will win all the time, just as the probabilities are that if a thousand men play ten games of Seven Up, some man will win all ten games. At the same time it is equally probable that some man will lose all ten.
Minder: Who s there? Answer: Angel. Minder: What do you want? Angel: Ribbons. Minder: What colour? Angel: Red. Minder retorts, if no child is so named, Go and learn your A B C. If the guess is right the child is led away. The Devil then knocks, and the dialogue and action are repeated.--Deptford, Kent (Miss Chase). See Fool, fool, come to School. Auntieloomie The children join hands, and dance in a circle, with a front step, a back step, and a side step, round an invisible May-pole, singing-- Can you dance the Auntieloomie? Yes, I can; yes, I can. Then follows kissing.
57-59. There are Upper Campfield and Lower Campfield at Norton Woodseats. They are also called Camping fields. This field was probably the place where football and other village games were played. These fields adjoin the Bocking fields. In Gosling s Map of Sheffield, 1736, Campo Lane is called _Camper Lane_. The same map shows the position of the old Latin school, or grammar school, and the writing school. These schools were at a very short distance from Campo Lane, and it seems probable that here the game of football was played (Addy s _Sheffield Glossary_). The camping-land appropriated to this game occurs in several instances in authorities of the fifteenth century (Way s Note in _Prompt. Parv.
In such a case he would score the sixty points first, and declare the two or three marriages remaining. In the same manner he may have announced four Kings, and after playing away two of them, leaving two Kings of spades, he may declare double bézique, and claim the two marriages “to score.” In all such cases it must be remembered that the cards declared must still be on the table when the time comes to score them. If, in the case just given, one of the cards forming either of the marriages was got rid of in the course of play, that marriage could not afterward be scored, although it had been properly announced. If the stock is exhausted before the player with a score in abeyance can win another trick, the score is lost. It is often very important for a player to know how much time he has to score. When the talon is spread it is comparatively easy to judge how many more tricks remain to be played. The English laws allow a player to count the stock, the French do not. A trick once turned and quitted cannot again be seen, and the players are not allowed to count the number of tricks they have won. The last card of the stock is taken by the player winning the trick, and the turn-up trump goes to his adversary.