Newell (_Games of American Children_, p. 171) also mentions it, and gives the rhyme as-- Frog in the sea, can t catch me! Gap The same as French Jackie. This game is called Tap-back or Tat-back at Bitterne, Hants. Garden Gate Children join hands and form a ring. One child stands inside the ring; this child walks round and asks one of the circle, called the Keeper-- Have you the key of the garden gate? Open and let me go through. The Keeper replies-- My next-door neighbour s got the key; Ask him and he ll give it to you. This is repeated by each one in the circle. Then the inside child comes again to the Keeper and says-- None of the neighbours have got the key, So you must let me go through. The Keeper answers-- I ve lost the key of the garden gate, And cannot let you through. Then all the ring say-- You must stop all night within the gate, Unless you have strength to break through.
It differs from ordinary draughts in two particulars: Although the men can move only forward, they can take backward, and Kings can go any distance at one move. If in taking a piece, a man arrives at the king row, that does not end the move if he can capture another piece by jumping backward out of the king row again. As this brings him away from the king row before the move is complete, he will not be a king until he can get to the king row at the end of a move. Kings can go any number of squares in a straight line, and can capture any piece which is on the diagonal, not protected by another piece behind it. Kings can also go on for any number of squares beyond the captured piece, and then turn a corner to capture another piece. In Diagram No. 12, for instance, the black King could capture all six of the white men by going over the first one only, and then turning to the left, and continuing to turn to the left after every capture, as shown by the squares with the numbers on them, which indicate his five successive turning-points. [Illustration: No. 12. +---+---+---+---+---+---+---+---+ | | | | 5 | | | | | +---+---+---+---+---+---+---+---+ | | | ⛀ | | | | | | +---+---+---+---+---+---+---+---+ | | | | 1 | | ⛀ | | | +---+---+---+---+---+---+---+---+ | | | ⛀ | | ⛀ | | 4 | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | 2 | | | | ⛀ | | | | +---+---+---+---+---+---+---+---+ | | ⛀ | | | | | | ⛃ | +---+---+---+---+---+---+---+---+ | | | 3 | | | | | | +---+---+---+---+---+---+---+---+ ] _=DEVIL AMONG THE TAILORS.
S. Street, 1903. Sixty Bridge Hands, by C.S. Street, 1903. Laws and Principles of Bridge, by “Badsworth,” 1903. Bridge Whist in Brief, by Fisher Ames, 1904. Bridge at a Glance, by W. Dalton, 1904. The Gist of Bridge, by R.
, the second player on the first trick, in Skat. Mixed Pair, a lady and gentleman playing as partners. Mort, F., the dummy hand at Whist or Bridge. Mouth Bets, those made without putting up the money. One who fails to pay mouth bets is a welcher. Muggins, to take a score which has been overlooked by an adversary, especially in Cribbage and Dominoes. Natural, anything which wins the stake immediately; 7 or 11 at Craps; 21 at Vingt-et-un; 8 or 9 at Baccara. Natural Points, those which must be made every deal, such as big and little cassino, high, low, etc. Navette, F.
Against a trump declaration almost every one agrees that it is best to discard the best suit, so that if your partner gets in before you do, he may have something to guide him as to what your best chance is for any more tricks. Against no-trumpers, the majority of players hug every possible trick in their long suit and discard their weak suits, on the ground that it is folly to throw away cards that might win tricks. While this is true, it is also true that in discarding their weak suit they too often enable the declarer to win tricks that they might have stopped. For this reason, many players _=discard the suit they are not afraid of=_; that is, their best protected suit, and keep what protection they have in the weak suits, even if it is nothing but three to a Jack or ten. Unfortunately, no one has yet been able to advance any argument sufficiently convincing for either system to demonstrate that it is better than the other. Some of the best teachers of the game advocate the discard from strength against no-trumps; others teach the weak discard. _=ENCOURAGING DISCARDS.=_ In order to distinguish between discards from weakness and those from strength, many players use what is called an encouraging card. This is anything higher than a six, if they have protection in the suit, or want it led. A player with an established suit, and A 8 2 of another suit, for instance, would discard the 8, to encourage his partner to lead that suit and put him in.
* Foster’s Whist Tactics, by R.F. Foster. x Foster’s Common Sense in Whist, by R.F. Foster. * Foster’s Self-Playing Cards, by R.F. Foster. x Foster’s Duplicate Whist, by R.
King Plaster Palacey The players are a King and his three sons named White Cap, Red Cap, Brown Cap. Red Cap says, Plaster Palacey had a son, whose name was old daddy White Cap. White Cap, in an injured voice, says, Me, sir? The King says, Yes, sir. White Cap answers, You re a liar, sir. The King then says, Who then, sir? White Cap answers, Old daddy Red Cap. --Deptford, Kent (Miss Chase). The game as given above is obviously incomplete, and no description as to how the game was played was sent me. Newell (_Games_, p. 145), describes a game, The Cardinal s Hat, which is probably a variant of the original game, of which the above is only a fragment. I remember once witnessing a game in which a ball was passed from player to player, and in which the dialogue was similar.
The game is continued, different coloured ribbons being named each time. (_c_) This game was played in 1869, so cannot have arisen from the political movement. Baloon A game played with an inflated ball of strong leather, the ball being struck by the arm, which was defended by a bracer of wood.--Brand s _Pop. Antiq._, ii. 394. (_b_) It is spelt balloo in Ben Jonson, iii. 216, and baloome in Randolph s _Poems_, 1643, p. 105.
These are as follows:-- _Points._ The majority of _=Cards=_ taken in. 3 The majority of _=Spades=_ taken in. 1 The Ten of diamonds, _=Big Cassino=_. 2 The deuce of spades, _=Little Cassino=_. 1 The _=Ace=_ of any suit. 1 A _=Sweep=_ of all the cards on the table. 1 The manner in which these points are secured will become apparent from the description of the method of playing the hands. _=Method of Playing.=_ Beginning on the dealer’s left, each player in turn plays a card from his hand, placing it face upward on the table.
Trag._, III., v. 82, A lady can at such Al-hid beguile a wiser man, is quoted in Murray s _Dictionary_ as the first reference. All a Row All a row, a bendy bow, Shoot at a pigeon and kill a crow; Shoot at another and kill his brother; Shoot again and kill a wren, And that ll do for gentlemen. --Northall s _English Folk Rhymes_, p. 386. This is a marching game for very little children, who follow each other in a row. (_b_) Halliwell gives the first two lines only (_Nursery Rhymes_, No. dxv.
| -- | -- | -- | | 2.| -- | -- | -- | | 3.| -- | -- | -- | | 4.| -- | -- | -- | | 5.|L. B. is broken down. |L. B. is broken down.
_, a player cannot add one or two to his own score and deduct one or two from the revoking player; V. Takes precedence of every other score--_e.g._, the claimants two, their opponents nothing; the former add three to their score, and thereby win a treble game, even should the latter have made thirteen tricks, and held four honours. 73. A revoke is established if the trick in which it occur be turned and quitted, _i.e._, the hand removed from that trick after it has been turned face downward on the table, or if either the revoking player or his partner, whether in his right turn or otherwise, lead or play to the following trick. 74. A player may ask his partner whether he has not a card of the suit which he has renounced; should the question be asked before the trick is turned and quitted, subsequent turning and quitting does not establish the revoke, and the error may be corrected, unless the question be answered in the negative, or unless the revoking player or his partner have led or played to the following trick.
Don’t grip the ball too tight. Don’t loft the ball. Don’t play the side ball until you have mastered the centre delivery. Don’t swing the ball more than once before delivering it. Don’t start with a jump; walk one and run two steps. Don’t deliver the ball with the right foot in front. Don’t step on or over the foul line. Don’t think you can change the course of the ball after it has left your hand. Don’t expect a “strike” every time you hit the head pin. Don’t blame the pin boys if you get a split.
[24] A declaration (other than passing) out of turn must stand;[25] as a penalty, the adversaries score 50 honour points in their honour column and the partner of the offending player cannot thereafter participate in the bidding of that deal. The penalty for the offence mentioned in Law 81 is 50 points in the adverse honour score. G. _Team Matches._ A match consists of any agreed number of deals, each of which is played once at each table. The contesting teams must be of equal size, but each may consist of any agreed number of pairs (not less than two). One half of each team, or as near thereto as possible, sits north and south; the other half east and west. In case the teams are composed of an odd number of pairs, each team, in making up its total score, adds, as though won by it, the average score of all pairs seated in the positions opposite to its odd pair. In making up averages, fractions are disregarded and the nearest whole numbers taken, unless it be necessary to take the fraction into account to avoid a tie, in which case the match is won “by the fraction of a point.” The team making the higher score wins the match.
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A girl comes in exclaiming, Mother, mother, the pot s boiling ower. The answer is, Then get the ladle and keel it. The difficulty is to get the ladle, which is up a height, and the steul wants a leg, and the joiner is either sick or dead (_Glossary North Country Words_). A sentence from _Love s Labours Lost_, While greasy Joan doth keel the pot, illustrates the use of the term keel. See Mother, Mother, the Pot Boils over. Keppy Ball In former times it was customary every year, at Easter and Whitsuntide, for the mayor, aldermen, and sheriff of Newcastle, attended by the burgesses, to go in state to a place called the Forth, a sort of mall, to countenance, if not to join in the play of Keppy ba and other sports. This diversion is still in part kept up by the young people of the town (Brockett s _North Country Words_). It is also mentioned in Peacock s _Manley and Corringham Glossary_, and in Ross and Stead s _Holderness Glossary_. Mr. Tate (_History of Alnwick_) says that a favourite pastime of girls, Keppy ball, deserves a passing notice, because accompanied by a peculiar local song.
A sells to B, who bids two. B and C have each two to go. B pitches a trump of which C has both High and Low; but if B makes Jack and Game he wins the pool, because he bid only two points, and made them. This is generally expressed by the rule: _=bidder goes out first=_. _=Setting Back.=_ If the player who pitches the trump fails to make the number of points bid, he is set back, and scores nothing for any points he may have made. A player who is set back, either for overbidding his hand, or for refusing to sell and failing to make the number of points offered him, must withdraw from the pool as many white counters as were bid, and add them to his own. For instance: It is A’s sell. A and B each have two to go. B bids three, which A refuses, pitching the trump himself.
In _=Solo Whist=_, the revoking players must pay all the red counters involved in the call, whether they win or lose, but they may play the hand out to save over-tricks. If the caller or his partner revokes they must jointly pay the losses involved; but if an adversary of the caller revokes, he must individually pay the entire loss unless he can show that the callers would have won in spite of the revoke. Should he be able to do this, his partners must stand their share of the losses, but the revoking player must individually pay for the three tricks taken as the revoke penalty. If the single player revokes, either on solo or abundance, he loses the red counters involved in any case, but may play the hand out to save over-tricks. If the single player in a misère or a slam revokes, the hand is abandoned and he must pay the stakes. If an adversary of a misère or a slam revokes, he must individually pay the whole stakes. 32. At the end of a hand, the claimants of a revoke may search all the tricks. If the cards have been mixed, the claim may be urged and proved, if possible; but no proof is necessary and the revoke is established, if, after it has been claimed, the accused player or his partner mixes the cards before they have been examined to the satisfaction of the adversaries. 33.
Another version is given in _Notes and Queries_, 3rd Series, vii. 285. (_d_) This is a dramatic game, in which the children seem to personate animals, and to depict events belonging to the history of the flock. Miss Burne groups it under her dramatic games. Blind Bell A game formerly common in Berwickshire, in which all the players were hoodwinked except the person who was called the Bell. He carried a bell, which he rung, still endeavouring to keep out of the way of his hoodwinked partners in the game. When he was taken, the person who seized him was released from the bandage, and got possession of the bell, the bandage being transferred to him who was laid hold of.--Jamieson. (_b_) In The Modern Playmate, edited by Rev. J.
_=METHOD OF PLAYING.=_ The caller starts by taking off his top card and placing it face up on the table, at the same time announcing aloud its suit and rank, as “Seven of clubs.” This makes it unnecessary for the others to watch the cards the caller draws. Each player picks out his seven of clubs and places it on the table in front of him, face up, as a starter for his tableau. Suppose the next card called is the ten of diamonds. As each player can place that card in any one of eight different positions with regard to the seven of clubs, and the next card after that in any one of a dozen positions, it must be evident that although the twenty-five cards called will be the same for every tableau, the resulting poker combinations may be vastly different. _=SCORING.=_ Each player is credited with the value of his tableau, and then the duty of being caller passes to the left. The game is at an end when an agreed number of deals have been played, or at the expiration of a specified time, the highest total score being the winner. SOLITAIRE CRIBBAGE.
Before dealing, he puts up the amount of the ante for all the players, and then _=passes the buck=_ to the player on his left, who must ante for all the players in the next pool. There is no variation of the amount of the ante under any circumstances, and the buck is passed round the table in this manner irrespective of the deal, which is taken by the player winning the pool. The laws for the deal and its irregularities are the same as in Draw Poker, except that it does not pass to the left. The cards dealt, each in turn, beginning with the player to the left of the dealer, may either bet or pass. Should all pass, the holder of the buck antes, making a double pool, and passes the buck. The deal then passes to the left. Should any player make a bet, each in turn, beginning with the one on his left, must call it, raise it, or abandon his hand. Players who have passed the first time, must now decide. The rules for seeing, raising, calling, and showing hands are precisely the same as at Draw Poker. Owing to the absence of the draw, there is no clue to the strength of an opponent’s hand, except his manner, and the amount of his bet.
If a player opposed to the bidder discovers and corrects a revoke made by himself or any of his partners, the bidder may either claim the card played in error as exposed, or may call on the revoking player for his highest or lowest of the suit led. 30. The penalty for revoking is the transfer of two tricks from the revoking side to their adversaries; it can be enforced for as many revokes as occur during the hand. The revoking side cannot win the game in that hand; if both sides revoke, neither can win the game in that hand. In _=Cayenne=_ and _=Solo Whist=_, as a penalty for a revoke, the adversaries of the revoking player may take from him three tricks; or may deduct the value of three tricks from his score; or may add the value of three tricks to their own score. The revoking players cannot score slams or game that hand. All slams must be made independently of the revoke penalty. In _=Boston=_, the penalty for a revoke on the part of the bidder is that he is put in for one trick, and must pay four red counters into the next pool. Should an adversary of the bidder revoke, he must pay four red counters into the next pool, and he and his partners must pay the bidder as if he had been successful. On the discovery of a revoke in Boston the hands are usually abandoned; but the cards should be shown to the table, in order that each player may be satisfied that no other revoke has been made.
Curly locks, curly locks, Wilt thou be mine? Thou shalt not wash dishes Nor yet feed the swine; But sit on a fine cushion And sew a fine seam, And feed upon strawberries, Sugar and cream. --Earls Heaton (Herbert Hardy). II. Bonny lass, canny lass, Wilta be mine? Thou s nowder wesh dishes Nor sarra the swine: But sit on thy crippy, &c. --Dickinson s _Cumberland Glossary_. (_b_) Two children, a girl and a boy, separate from their fellows, who are not particularly placed, the boy caressing the girl s curls and singing the verses. (_c_) This game is evidently a dramatic representation of wooing, and probably the action of the game has never been quite completed in the nursery. The verses are given as nursery rhymes by Halliwell, Nos. cccclxxxiii. and ccccxciv.
He picked up the cup and shook out his stone dice. He was lucky--he drew the Lady May. * * * * * The Lady May was the most thoughtful Partner he had ever met. In her, the finely bred pedigree mind of a Persian cat had reached one of its highest peaks of development. She was more complex than any human woman, but the complexity was all one of emotions, memory, hope and discriminated experience--experience sorted through without benefit of words. When he had first come into contact with her mind, he was astonished at its clarity. With her he remembered her kittenhood. He remembered every mating experience she had ever had. He saw in a half-recognizable gallery all the other pinlighters with whom she had been paired for the fight. And he saw himself radiant, cheerful and desirable.
Each carried a dozen pinlights, bombs no bigger than thimbles. The pinlighters threw the Partners--quite literally threw--by means of mind-to-firing relays direct at the Dragons. What seemed to be Dragons to the human mind appeared in the form of gigantic Rats in the minds of the Partners. Out in the pitiless nothingness of space, the Partners minds responded to an instinct as old as life. The Partners attacked, striking with a speed faster than Man s, going from attack to attack until the Rats or themselves were destroyed. Almost all the time, it was the Partners who won. With the safety of the inter-stellar skip, skip, skip of the ships, commerce increased immensely, the population of all the colonies went up, and the demand for trained Partners increased. Underhill and Woodley were a part of the third generation of pinlighters and yet, to them, it seemed as though their craft had endured forever. [Illustration] Gearing space into minds by means of the pin-set, adding the Partners to those minds, keying up the mind for the tension of a fight on which all depended--this was more than human synapses could stand for long. Underhill needed his two months rest after half an hour of fighting.
_=Irregularities in Playing.=_ If, during the play of a hand, any person is found to have too many cards, his hand is foul, and neither he nor his partner can score any points for that deal, but they may play the hand out to prevent the adversaries from scoring everything. If he has too few cards there is no penalty. If a player leads out of turn, and the three others follow him, the trick stands good. If all have not followed the false lead, their cards must be taken back, but only the leader’s card is liable to be called. If it was the turn of the partner of the player in error to lead, the adversary on his right may call upon him to lead or not to lead a trump; but he cannot specify the plain suit. If it was the turn of either adversary of the player in error to lead, the card led in error is simply exposed. If the third hand plays before the second, the fourth may play before the second also. If the fourth hand plays before his partner, third hand not having played, the trick may be claimed by the adversaries, regardless of who wins it; but the player who actually wins it leads for the next trick. If a player has a card of the suit led, and neither follows suit nor plays a trump, it is a _=revoke=_; and, if detected and claimed by the adversaries, neither the player in error nor his partner can score any points that hand; but the hand may be played out to prevent the adversaries from scoring everything.
The corruption of this into Jenny Jones is exactly what might be expected from modern English ignorance of the pretty meaning of the word jo, dear; and to what lengths this corruption may proceed under such influences may be seen by versions from Earls Heaton, where we have Jingy Jog; Leeds, where we get Jilly Jog; and the Edinburgh version, where we have Georgina. This would be an argument for the Scottish home of the rhymes, and for the direct borrowing of the name from Scotland by the English villagers. In furtherance of this view the following passage from Chambers may be quoted:-- In the Stewartry of Kirkcudbright, Janet Jo is a dramatic entertainment amongst young rustics. Suppose a party has met in a harvest or winter evening round a good peat fire, and it is resolved to have Janet Jo performed. Two undertake to personate a goodman and a goodwife; the rest a family of marriageable daughters. One of the lads, the best singer of the party, retires, and equips himself in a dress proper for representing an old bachelor in search of a wife. He comes in, bonnet in hand, bowing, and sings-- Guid e en to ye, maidens a , Maidens a , maidens a , Guid e en to ye, maidens a , Be ye or no. I m come to court Janet jo, Janet jo, Janet jo, I m come to court Janet jo, Janet, my jo. Goodwife sings--What ll ye gie for Janet jo, Janet jo, Janet jo? What ll ye gie for Janet jo, Janet, my jo? Wooer--I ll gie ye a peck o siller, A peck o siller, peck o siller, I ll gie ye a peck o siller, For Janet, my jo. Goodwife says--Gae awa , ye auld carle! Then sings--Ye se never get Janet jo, Janet jo, Janet jo, Ye se never get Janet jo, Janet, my jo.